Bruce says: “Growing up in Warsaw film director Tomasz Wasilewski was exposed to the films of Krzysztof Kieslowski at an early age. While he does not see films such as THE DECALOGUE as a direct influence, he does feel that
Jason says: “If you’re going to go through a time of self-doubt or regret, you could find worse surroundings than Fairhaven, Mass. It’s got the kind of snow dirt and smoke don’t seem to stick to, there are good friends
Jason says: “I have likely mentioned this a few dozen times, but my favorite subset of science fiction is that which takes place during the ‘interplanetary era’, as humanity expands from Earth but is still confined to the solar system
Jason says: “Someday, perhaps soon, folks may accuse Randy Moore of selling out. After all, while most of the crowd for the opening-night showing of ESCAPE FROM TOMORROW seemed to be there to cheer on poking a finger in the
Chris says: “As dependable as Rohmer or Ozu, Nicole Holofcener could be their modern American equivalent as an auteur director. In terms of style and sensibility, she arguably makes the same film over and over again, but touches on a
Kyle says: “The awkwardly but amusingly Anglicized title EMPEROR VISITS THE HELL is based upon three chapters from the 16th century Chinese novel, Journey to the West” — not to be confused with Hong Kong actor-director Stephen Chow’s recent film
Jason says: “Under normal circumstances, I might grumble about EMPEROR being a case of keeping an interesting story and larger-than-life characters at arm’s length in favor of someone that the audience can perhaps more easily relate to. In this case,
Jason says: “We’ve all heard (or used) some variation on ‘my art comes from a dark place’ before; there’s also its close relative ‘suffering for one’s art’. Not exactly the inspiration you’d expect for a movie named ‘EDDIE: THE SLEEPWALKING
Chris says: “Serviceable—that’s the word I kept thinking of throughout this thriller in which an intelligence agency operative (Brit Marling) infiltrates herself within an eco-terrorist group that targets the agency’s corporate clients. I’m not saying this film, co-written by Marling
Michael says: “Of all of William Faulkner’s catalog, I have only read The Sound and the Fury, but that is enough to tell me that James Franco successfully captures the tone and feel of Faulkner in his co-written adaptation of