Jason says: “I’m guessing that there’s not a whole lot of money for science fiction filmmaking in Jordan, which is why WHEN TIME BECOMES A WOMAN not only feels less like a movie than a one-act play, but also has
Thom says: “Coming so close on the heels of my viewing of the PARADISE LOST trilogy: THE CHILD MURDERS AT ROBIN HOOD HILLS, REVELATIONS, & PURGATORY, I saw this the week it opened in San Francisco. With a big heft
Thom says: “McGehee & Siegel have long fascinated me starting out with one of the strangest films ever made in SUTURE followed by two great films in THE DEEP END & BEE SEASON. While UNCERTAINTY was a decided letdown, because
Kyle says: “The title is misleading only if your notion of ‘werewolf’ is defined by the usually unclad muscular body of Taylor Lautner as Jacob Black, and CGI transformations into a huge snarling but protective wolf, in THE TWILIGHT SAGA
Jason says: “WE ARE WHAT WE ARE makes a heck of a case for the much-maligned idea of remaking a foreign film in English. Though the original Mexican version was much-beloved by many (I thought it had a great opening
Jason says: “What, exactly, is the difference be ween a crime movie and a caper movie? Scale? The intricacy of the plan? Do the characters being a notch more charming or less working-class change the classification? Or is this just
Thom says: “This new dysfunctional family-on-vacation coming-of-age dramedy is a first time effort from the directors who won the 2012 Oscar for adapted screenplay for THE DESCENDANTS along with Alexander Payne. It’s a decent first effort that is nicely character-driven
Diane says: “Or, by its more appropriate international title ADELE: CHAPTERS 1 AND 2. A.k.a. the three-hour lesbian sex movie. “I had expected a happy movie: girl discovers her sexuality, finds a thrilling blue-haired partner who opens her eyes to
Jason says: “There’s a lot of reasons to recommend staying away from WAR OF THE WORLDS: GOLIATH: Inconsistent animation, a weak script, bland voice acting, etc. On the other hand, it’s got Teddy Roosevelt killing Martians, and while that doesn’t
Jason says: “To call last year’s V/H/S uneven would be generous; while it managed ‘pretty good’ in a couple of segments, it was awful in more. Still, the good thing about commercially successful anthology films is that sequels need not