Jason says: “There’s a case to be made for THE BATTERY although it involves an premise that I’m not hugely fond of – that the filmmakers aren’t really making a zombie movie, but exploring the bond and antagonism that form
Jason says: “The question has probably been answered in some interview or festival Q&A with Sion Sono, but if he had been able to spend the time and money to edit this movie and get it released back in 1995,
Jason says: “You can say what you want about Detroit – that its main industry needs propping up, that its population is collapsing, that arson seems to be the most popular local activity – but you have to admit, hope
Jason says: “You see enough horror movies, and eventually ‘ridiculous puppet monster ‘ can seem like a genre. You can break it down further and make the distinction between whether it’s a movie based upon puppets being creepy or one
Jason says: “I strongly suspect that I have complained about documentaries that seem to argue that someone wrecking his life and those of the people around him is more tragic because he could play the guitar enough for it to
Jason says: “There have been a fair number of movies, books, and the like about terrorism over the years, but many, in their perfectly reasonable attempt to illuminate the phenomenon, ignore a simple truth: Most people just can’t understand. This
Thom says: “Rarely does Film Movement introduce a film with a major actor like John Hawkes but the film did win the Silver Bear at the Berlin International Film Festival and certainly deserves a wider audience. This one is a
Jason says: “Five years ago, Alex Gibney set out to make THE ROAD BACK, a documentary that followed Lance Armstrong’s comeback, hopefully to culminate in an eighth Tour de France victory. That didn’t happen, but a whole lot of other
Jason says: “ANTISOCIAL is an impressive little horror movie that distinguishes itself by showing how it’s not necessarily what a movie does that matters, but how it pulls it off. Sure, the initial plot is built on a foundation of
Kyle says: “The International Premiere of THE ANIMALS was an offering in the series titled ‘Manila Chronicles: The New Filipino Cinema.’ In one regard, it can lay claim to being the single most disturbing film of the 12th New York