Bruce says: “Luminita Gheorghiu (4 MONTHS, 3 WEEKS, 2 DAYS; 12:08 EAST OF BUCHAREST; THE DEATH OF MR. LAZARESCU; BEYOND THE HILLS has to be one of the first ladies of the Romanian silver screen, yet none of her prior
Jason says: “Jon Favreau’s CHEF has a line in the credits about being based on actual events, and I kind of suspect that those events may involve ‘fans’ putting a lot of personal invective into their assessments of IRON MAN
Jason says: “CHEATIN’ is the new Bill Plympton movie, his first feature since 2008’s IDIOTS AND ANGELS, and it’s a fine demonstration that over thirty years as an independent animator, he hasn’t dulled his edge much while carving out his
Michael says: “Here’s an independent film that deserves a wider audience, and I wouldn’t have known about it at all except that a Chlotrudis member is actually the star of the film. Michael D. Cohen stars as Abner in IT
Kyle says: “We seem to be living in a golden age of documentaries, perhaps because reality continually proves to be more surprising than fiction, and also perhaps because much of the public finds reality television shows irresistible, including politicians. Recently
Bruce says: “Films like CESAR CHAVEZ deserve an audience because they retell important moments in American history. Most Americans probably don’t know much about Chavez because they are too young or have forgotten most of the details of what happened
Jason says: “It might be interesting to watch CANTINFLAS while making tick marks to see just how much is in Spanish with English subtitles and how much is in English with Spanish subtitles. It’s probably not 50/50, or even that
Jason says: “THE CANAL opens with a bit that’s almost too clever for its own good, with film archivist David Williams (Rupert Evans) standing on stage and asking an audience full of unruly children if any want to see some
Jason says: “BUTTER ON THE LATCH was listed in the program as playing before director Josephine Decker’s prior film, THOU WAST MILD AND LOVELY, as if it was a short film rather than a 63-minute feature. The programmers and projectionists
Jason says: ““Is it cynical of me to start counting shots between a ‘New York 2001′ caption and the first glimpse of the World Trade Center, or of writer/director Snow Zou for putting the audience in that position? That’s not