Kyle says: “The North American Premiere of JUVENILE OFFENDER provided one of the surprisingly touching experiences of the New York Asian Film Festival. It is a deceptively simple but emotionally resonant story about a teenage boy without family tending toward
Jason says: “JUG FACE is the sort of horror movie that I often have trouble with, where any hint of supernatural activity actually seems somewhat deflating, as there’s plenty of real-world unpleasantness at work. It’s done well enough to overcome
Jason says: “The time period covered by JOSÉ AND PILAR aligns, roughly, with the time it took Nobel Prize-winning writer José Saramago to bring his book The Elephant’s Journey from concept to release, and that sounds like a fairly dull
Jason says: “Alone in the world’ movies offer the independent science fiction filmmaker a fair amount of bang for their buck – you can get by with a very small cast, some unusually still establishing shots taken at the right
Jason says: “According to the post-film Q&A (and others I’ve talked to), John Dies at the End is a cult novel that barely had time to gain a reputation as unfilmable before going before the cameras. Director and screenwriter Don
Chris says: “As a teenaged Milwaukee native/resident, the Jeffrey Dahmer case obviously hit close to home for me, as it would for anyone to have something so high profile and extremely grotesque occur in your backyard. This documentary is both
Thom says: “I feel so lucky to be still living during Woody Allen’s marvelous renaissance and this latest effort is truly one of his best that totally transforms his usually recognizable dialogue into an entirely new aura of intelligence. Most
Bruce says: “The film opens with Busu, a disheveled man in an institutional waiting room, talking to anyone who will listen. It seems he has a story to tell and at first it is impossible to know how he fits
Jason says: “There’s clear intent to make a clever movie in IT’S ME, IT’S ME from the opening shots of identical buildings, insistent posters about a rat infestation, and other bits that tie into the high concept of a young
Thom says: “Here’s a fine offering from ever-reliable Film Movement, this one a documentary. I was thrilled to see the production collaboration between Iran & the US although the nature of the story most probably accounts for that. Kevin Sheppard