Kyle says: “When a robot referred to clinically as the A.I., or Ava (Alicia Vikander), tells Caleb (Domhnall Gleeson) that her maker Nathan (Oscar Isaac) is ‘not your friend’ during a power outage, we expect him to pay close attention,
Jason says: “When people describe independent films as pretentious crap and those who like them as pretentious jerks, they’re often referring to things like ENTERTAINMENT, and I can’t exactly blame them. Even when I don’t enjoy a movie, I try
Jason says: “There are a lot of things that can be done with David Lipsky’s interview of David Foster Wallace, and I don’t think that a movie is at the top of the list. The magazine article it was originally
Kyle says: “ENTER THE DANGEROUS MIND, also known confusingly by its working title and alternate Netflix listing as SNAP, is an attempt at a psychological thriller based on a variation of the Faust story. Except this Mephistopheles avatar seems unclear
Chris says: “Nothing in the colorful, florid opening scene, set at an opera performance in postwar Cuba suggests that the bulk of ELEPHANT SONG will unfold at a visually drab, wintry mental hospital in mid-1960s Canada. Similarly, little in the
Jason says: “There is much more to the life of Euphemia ‘Effie’ Gray than the film bearing her name presents; it limits itself to what are likely the three worst years of her life and maintains so tight a focus
Jason says: “Maude Michaud’s DYS- looks to be on the path to dystopia as it starts, but as with many stories that start with an outbreak, that turns out to be the background for some intense dysfunction. It’s the sort
Jason says: “It’s tempting to interpret the characters’ behavior in THE DUKE OF BURGUNDY in terms of closets and shame; it’s sort of the default for this period and would probably be a fascinating way to play it. Peter Strickland
Chris says: “I’ve seen enough coming-of-age films to contribute to a Chlotrudis poll about them, but I’ve seen nothing quite like THE DIARY OF A TEENAGE GIRL: funny, intense and sexually graphic in equal measures, it’s also a period piece,
Jason says: “The very first scene of DEVIL AND ANGEL makes it clear what sort of broad comedy it’s going to be, and it’s a pretty dumb one. And it’s not a dumb comedy that is secretly kind of clever;