Jason says: “It had been a while since I last saw a big Bollywood romantic comedy with singing, dancing, and a little bit of everything, and after seeing TAMASHA…well, it’s still been a while since I’ve seen that sort of
Jason says: “It may seem like splitting hairs, but this anthology from eleven noteworthy filmmakers working in the horror genre is much more a ‘Halloween’ movie than ‘horror’, if you get the distinction: It, like the holiday, is more about
Jason says: “There are movies that offer stronger lessons on why a film should not have a flash-forward to nearly the end unless there’s a really clever twist to be revealed than THE TAKING, as indicated by the fact that
Jason says: “TAG is the most recent of three films at the festival by Sion Sono, who is having an absurdly productive year (four films total released in 2015!), and there are points where it seems like this frantic pace
Kyle says: “So stupid or craven or both is virtually every single person working for the laughingly labelled intelligence services in both America and England that I experienced my own version of SURVIVOR guilt for sitting through this insult to
Jason says: “There’s not really a glut of movies like this one out there, although if you spend enough time watching modestly-budgeted science fiction you’ll see a fair number of people try to make something that needs the T axis
Jason says: “Though appearing on many American marquees as simply SURPRISE, I think the full title of this movie is SURPRISE YOU’LL NEVER THINK OF: JOURNEY TO THE WEST, and something appears to be lost in translation there. Think of
Jason says: “The trick to something like I WAS A TEENAGE SUPERHERO SIDEKICK is to do at least a little more than just poke fun at comic-book clichés, both because there’s no real accomplishment in replacing fun with smugness and
Jason says: “Christian Carroll hits a couple of things I really like in SUICIDE OR LULU AND ME IN A WORLD MEANT FOR TWO, enough that I can overlook its faults, probably better than many would. It’s a nifty little
Jason says: “Writer/director Partho Sen-Gupta takes certain things very literally in SUNRISE but it’s kind of a delight when he does, because the effect is nifty and exhilarating in the midst of a film that can use a bit of