Jason says: “Short-term time travel is the trickiest sort of science fiction to create; it doesn’t necessarily have to be a perfect Moebius strip structurally, but any shortcomings in that department must be more than made up in other ways.
Jason says: “DETECTIVE CHINATOWN inevitably runs head-on into the biggest problem screwball mysteries face – it is extremely difficult to take both your slapstick comedy and murder investigation seriously in the same story – but manages to be impressively entertaining
Lorraine says: “In January 1914, a horrible murder shook up the city of Budapest. One of the most high-profile courtesans in town, Elza Mágnás, was strangled and her body was thrown into the icy water of the Danube. DEMIMONDE chronicles
Bruce says: “Having written the screenplays for RUST AND BONE, DHEEPAN, and SAINT LAURENT Thomas Bidegain is no outsider dabbling in film. He directs his first film with the hand of a master. The acting, editing, cinematography and use of
Jason says: “There’s a plot to CREATIVE CONTROL to go with its speculative elements, but truth be told, it’s not at its strongest when either of those are front and center. Instead, it sings when the filmmakers find nifty little
Jason says: “The title of THE CONFIRMATION doesn’t do it a lot of favors, unless the misadventures that its characters go through parallel that particular Catholic ritual in ways that aren’t particularly obvious to those of us who don’t share
Bruce says: “Director Trapero (White Elephant) strikes all the right notes in this truth-is-stranger-than-fiction tale about the Puccio clan. Guillermo Francella is sensational as Arquimedes Puccio, a vigilante who kidnapped and killed several people from prominent families in protest of
Bruce says: “Although I have not yet seen SPOTLIGHT, I’m sure there is a comparison to be made. Both films deal with priests and abuse cover-ups. Pablo Larrain (TONY MANERO, NO) takes us to a house in a remote Chilean
Jason says: “There are bits of CHONGQING HOT POT that are clever, nifty, and well-executed enough that one almost wishes that filmmaker Yang Qing had a little bit more room to maneuver than he has in a contemporary Chinese crime
Michael says: “I haven’t seen all of Kelly Reichardt’s films, but CERTAIN WOMEN is the fourth, and the most fully realized in a string of strong films including OLD JOY, WENDY & LUCY, and MEEKS’ CUTOFF. Based on a collection