Chris says: “Glenn Close is terrific here, acting without quite ACTING! and if this is what finally gets her an Academy Award, so be it. As for the rest of the film, the scene where her younger self describes a
Thom says: “The presentation of this film was enticing and over her career director Ramsay has made the impressive RATCATCHER and WE NEED TO TALK ABOUT KEVIN, as well as the mediocre MORVERN CALLAR; moreover, the nearly always great performance
Brett says: “Steadfast in my stance on this film, no one can tell me that this isn’t a film that is the very definition of a ‘try hard.’ I had high expectations for this with all of the heavy-hitter names
Chris says: “Colette was such a fascinating figure for her time it would take a concerted effort to make a boring film about her. Typically, Keira Knighly is neither miscast nor an exceptional lead; she does what’s required of her,
Michael says: “Laurent Cantet (THE CLASS)has constructed a fascinating film exploring the desire to kill, racism, and class in THE WORKSHOP. Centered around a racially mixed group of blue-collar students in a summer writing class led by an upper-class, middle-aged,
Beth Ca says: “Excellent film! It may seem like the film would be a bit slow moving in the first several minutes, but do not be fooled! It’s very suspenseful. Also, the artistic design is spectacular, along with cinematography. Michelle
Chris says: “Pawel Pawlikowski’s follow-up to IDA is cut from the same fine-polished glass: set in post-war Poland and shot in 1:33 black-and-white by cinematographer Łukasz Żal, it spans a fifteen-year period (leading up to roughly the time of the
Chris says: “This was my favorite Hornby novel since High Fidelity (he’s at his best writing about music), but as film adaptations go, it’s no HIGH FIDELITY. It doesn’t fall flat, exactly—how it could it with such ideal casting as
Chris says: “Gilda Radner may not have been the most original or technically accomplished comedienne, but she was unquestionably one of the most likable–as the cliche goes, she lit up whatever room she entered. Lisa D’Apolito’s sympathetic documentary gets this
Michael says: “WEIGHTLESS is notable to me for giving the handsome and talented Alessandro Nivola a challenging leading role as Joel, a troubled man working in a landfill in rural America. There’s reference to mental illness, and an occasional explosion