Chris says: “Another great performance from Timothée Chalamet (CALL ME BY YOUR NAME was definitely no fluke) and a good one from Steve Carell (despite him generally being better suited to comedic roles such as BATTLE OF THE SEXES). Along
Chris says: “In theory, Willem Dafoe seems a misguided choice to play Van Gogh, given the age difference, lack of resemblance, etc. Happily, he makes a stunning transformation without resorting to extravagant physical enhancements like Gary Oldman as Churchill–he embodies the
Thom says: “Bart Layton was the director of note on the very good 2012 documentary feature THE IMPOSTER and he brings a lot of nice effects to this “true crime” drama, somewhat, but irresponsibly, played for chuckles at the thieves ineptitude.
Thom says: “Here’s a perfectly competent, entertaining film about the iconic, internationally celebrated, fabulous New York destination hotel, the Carlyle. The hotel is the very definition of swanky, with elaborate furnishings, immaculate, refined service, & a staff that is devoted
Jeffrey says: “A tidy, well-wrought, low-budget thriller, with some of the spirit of both LET THE RIGHT ONE IN and ANIMAL KINGDOM, it earns its thrills the hard way, by slowly building tension to nearly intolerable levels, rather than spilling
Lorraine says:”I saw THE LURE at the Nashville Film Festival. What a fun and wild ride. A retelling of the mermaid story. On the one hand, it might feel like a lot of everything — it is mermaids and vampires
Thom says: “Jim Jarmusch has had a long, storied, varied, nearly historic career with few missteps. PERMANENT VACATION (1980) (2 cats), STRANGER THAN PARADISE (1984) (4.5 cats), DOWN BY LAW (1986) (5 cats), MYSTERY TRAIN (1989) (5 cats), NIGHT ON
Chris says: “Glenn Close is terrific here, acting without quite ACTING! and if this is what finally gets her an Academy Award, so be it. As for the rest of the film, the scene where her younger self describes a
Thom says: “The presentation of this film was enticing and over her career director Ramsay has made the impressive RATCATCHER and WE NEED TO TALK ABOUT KEVIN, as well as the mediocre MORVERN CALLAR; moreover, the nearly always great performance
Brett says: “Steadfast in my stance on this film, no one can tell me that this isn’t a film that is the very definition of a ‘try hard.’ I had high expectations for this with all of the heavy-hitter names