Chris says: “Pleasantly buzzed while celebrating a birthday at a fancy restaurant, history teacher Martin (Mads Mikkelsen) and his three male colleagues decide to test an obscure theory as to whether one’s life is enhanced if a 0.05% alcohol level
Chris says: “Strange little thing about a woman introducing her boyfriend to her family. It plays like a Mexican episode of Curb Your Enthusiasm directed by Roy Andersson: slow, deadpan, full of crossed wires and subtle digressions. I alternately laughed
Chris says: “Musical trio braves its way through a flood in a camper van in order to make it to a “Battle of the Bands” in Tehran where they believe fame and fortune will surely be theirs. The setting/situation makes
Chris says: “Kelly (Nika McGuigan) returns home to her Northern Ireland border town after running away the year before, to both the relief and consternation of her family, including her close sister Lauren (Nora-Jane Boone). What Kelly ran away from
Chris says: “Werner Herzog’s at it again and he’s brought back his co-director Clive Oppenheimer from INTO THE INFERNO along for the ride. The subject this time is meteorites, which takes the two across the globe, from Mecca to ultra-remote
Chris says: “Urban western or sentimental coming-of-age tale? A bit of both, as a troubled teen sent to gritty North Philadelphia to spend the summer with the father he never met learns to love himself and find a purpose in
Chris says: “As much about the acronym after the slash as the one before it, this slick but stimulating doc tracks both the slain civil rights leader and the J. Edgar Hoover-led government agency throughout the 1960s. As King’s influence
Chris says: “Francois Ozon’s umpteenth feature is cinematic comfort food, a queer, coming-of-age period romance set in a beautifully shabby town off the Normandy coast. The twist (partially revealed at the start) and flashback structure distinguishes this from other like-minded
Chris says: “Verité doc clandestinely filmed inside an ICU unit in Wuhan, China during the 76-day lockdown earlier this year. Expectedly difficult to watch (especially the heightened panic of the early days) but also genuinely life-affirming. This is an invaluable
Chris says: “After a flurry of brief, tantalizing, brutal images, NEW ORDER begins at a Mexico wedding attended by one-percenters; it’s best to go into the rest not knowing much more except that the first third is near-perfect in how