Chris says: “Werner Herzog’s at it again and he’s brought back his co-director Clive Oppenheimer from INTO THE INFERNO along for the ride. The subject this time is meteorites, which takes the two across the globe, from Mecca to ultra-remote
Chris says: “Urban western or sentimental coming-of-age tale? A bit of both, as a troubled teen sent to gritty North Philadelphia to spend the summer with the father he never met learns to love himself and find a purpose in
Chris says: “As much about the acronym after the slash as the one before it, this slick but stimulating doc tracks both the slain civil rights leader and the J. Edgar Hoover-led government agency throughout the 1960s. As King’s influence
Chris says: “Francois Ozon’s umpteenth feature is cinematic comfort food, a queer, coming-of-age period romance set in a beautifully shabby town off the Normandy coast. The twist (partially revealed at the start) and flashback structure distinguishes this from other like-minded
Chris says: “Verité doc clandestinely filmed inside an ICU unit in Wuhan, China during the 76-day lockdown earlier this year. Expectedly difficult to watch (especially the heightened panic of the early days) but also genuinely life-affirming. This is an invaluable
Chris says: “After a flurry of brief, tantalizing, brutal images, NEW ORDER begins at a Mexico wedding attended by one-percenters; it’s best to go into the rest not knowing much more except that the first third is near-perfect in how
Chris says: “Already a lot of hype for this one and much of it is justified—if anything, it’s an advance on Chloe Zhao’s last film, THE RIDER, and not necessarily because she’s now working with an Oscar-winning actress (though McDormand
Chris says: “The first half-hour, which mostly consists of an extended tracking shot is not only an impressive technical feat but also an effective choice in what it depicts (a nerve-wracking home childbirth.) However, the remainder vindicates my mixed feelings
Chris says: “A group of Middle-Eastern and African men are stranded in a refugee camp off the coast of Scotland. Our protagonist, Omar, is a musician from Syria and carries his oud wherever he goes. The refugees spend their time
Chris says: “Snappy cringe-com feature debut from filmmaker Emma Seligman with a near-perfect ensemble (esp. Fred Melamed and Polly Draper as the lead’s parents), along with a pressure-cooker environment and score both somewhat reminiscent of MOTHER! (thankfully, no one eats