Philip says: “Lynn Whitfield and Samuel L. Jackson star in this Kasi Lemmons melodrama based in Louisiana during the 1950’s. This film would be a perfect double feature paired with LAKAWANNA BLUES. Lemmons channels a bit of Tennessee Williams as she
Philip says: “Derek Jarman is a revolutionary filmmaker. I hate to think of him in the past tense. If you don’t understand the enormous vacuum that was left from the devastation of AIDS, watch Jarman’s EDWARD II, nearly 20 years
Philip says: “CLOUDBURST literally bursts on the screen with a powerhouse career-defining performance from 80 year-old Olympia Dukakis. Dukakis and Brenda Flicker (both Academy Award winning actors) play a lesbian couple who’ve been together for 31 years. Fricker’s character, Dot
Philip says: “Over the past ten years, LA BÛCHE has become a perennial holiday favorite of mine. A score by Michel Legrand containing classic Christmas songs from the 50’s and 60’s, family dysfunction, honesty, anger, and of course a lot
Chris says: “No denying that the late Harry Dean Stanton was a rare breed of actor or that few nonagenarians are as deserving of an end-of-life vehicle than him. And this is full of unforgettable images and moments, from Stanton’s around-the-house
Philip says: “Someone once commented to me on what I believe is one of the best gay male films ever produced, WEEKEND. The friend (who is straight) told me he just didn’t get the hype. To him it was just
Philip says: “I wish I had seen Sean Baker’s (TANGERINE) film, THE FLORIDA PROJECT before the Oscars. I would have cheered it on. Baker’s gritty realism witnessed in his stunning Tangerine turns out not to be a flash in the
Philip says: “Revisited the hysterical mockumentary classic, Christopher Guest’s BEST IN SHOW this past weekend. ‘Pine nut… cashew nut… macadamia nut.’ The laughs never end. Jane Lynch had her breakout performance as dog handler Christy Cummings. I’m sure the Glee
Philip says: “Aaron Sorkin’s (The West Wing) THE TRIAL OF THE CHICAGO 7 fictionalizes the ‘1969 trial of seven defendants charged by the federal government with conspiracy and more, arising from the countercultural protests in Chicago at the 1968 Democratic
Chris says: “Probably the weakest of Yorgos Lanthimos’ last four features but still worth a look. I winced at the make-or-break opening shot but I also kind of admired it, especially once I fully understood its context. Surely a more
