Thom says: “Director Lee has been enormously appreciated by me with top-rated films THE WEDDING BANQUET, EAT DRINK MAN WOMAN, HULK, SENSE & SENSIBILITY, TAKING WOODSTOCK, & BROKEBACK MOUNTAIN, &…
…style alone. Arguably, the real challenge Alfredson and screenwriters Bridget O’Connor and Peter Straughn faced was in rendering Le Carré’s labyrinthine narrative comprehensible as a feature-length film. With its substantial…
…arrives before the girl has left the apartment. Not pleased with what she sees she tells Harry, ‘you can’t come home with the first person to help you cross the…
…do terrible things, and curiosity is a much more exhilarating emotion than comfort, and the stunning visuals and fine performances don’t do much to hide that. “It’s 391 AD, and…
…well as getting him to complete his unfinished play. Tetro has also recently been in a terrible accident and has trouble walking. So what’s wrong with dreary mess? First off…
Diane says: “Awesome. I grew up with STAR TREK and found this film very satisfying. Impressed with art director’s restraint in keeping the futuristic look developed in the 1960s, and…
…until the credits rolled.” Toni responds: “My only complaint is the slowness at times but the characters were interesting and it to me showed a true ‘lost in translation’ with…
…who has struggled to master a complex form of Indian classical singing since childhood must come to terms as 40ish-year-old that he woo just never be a master. Like his…
Beth says: “Ken Loach directing Cillian Murphy, about the lead up to and the start of the Irish Civil War in the 20’s. I really liked this film, and give…
…to do a samurai film that sort of felt the same, but was completely different from, the other ones you’ve probably seen’, and I have to say, his intro was…