Michael says: “Apparently based on an uber-popular YA novel, the film is clumsy, beautiful, trite, and beautiful all at the same time. While it follows a formula that screams teen fiction there are some moments that work so perfectly, that
Chris says: “The notion of a star-studded film about mid-20th Century gothic author Shirley Jackson would seem either a promising or dicey proposition; recruiting director Josepine Decker (MADELINE’S MADELINE), of all people, muddies it further. Fortunately, the result, adapted from a
Chris says: “An admittedly frustrating but always fascinating puzzle box of a film. On the surface, it appears to be about teenager Madeline (Helena Howard), her antagonistic relationship with her single mother (Miranda July) and her after-school participation in an
Jason says: “Before Josephine Decker’s THOU WAST MILD AND LOVELY starts to be a weird, creepy sort of movie in a way that has real certainty and direction, it’s got two scenes that kind of warn the audience what it’s
Jason says: “BUTTER ON THE LATCH was listed in the program as playing before director Josephine Decker’s prior film, THOU WAST MILD AND LOVELY, as if it was a short film rather than a 63-minute feature. The programmers and projectionists