Bruce says: “THE DECAY OF FICTION is an original. In spirit, it is more akin to GOODBYE, DRAGON INN than any other film that comes to mind; the films of Guy Maddin are closest in style. It is impossible to
Bruce says: “DAY BREAK (DAME SOBH is the film’s Persian title) is the film I most liked at the 2006 Tribeca Film Festival. Happily, I have noticed that DAY BREAK and FAMILIA (my favorite film from the 2005 Toronto International
Bruce says: “BROKEN SKY is not a film that seduces its audience with flashy tricks or devices. It is a film that forces the viewer to do all the work, to discover its rhythm and fall in step. For those
Bruce says: “Sponsored by the Guerilla News Network AMERICAN BLACKOUT is a film that every person should see. That is not very likely since many distributors have already backed out of deals at the last moment. In an age where
Bruce says: “**Spoilers** “The idea of seeing someone else’s home movies may be appealing if the ‘someone else’ is a good friend, but much less so if the films belong to a stranger. There are exceptions such as TARNATION and
Bruce says: “Tony is a kid from the East End, once a rough-and-tumble section of London, now home to many immigrants from Africa and Asia. Jackie, Sue and Lynn hail from similar backgrounds. Simon and Paul were living in a
Bruce says: “As political documentaries go STATE OF FEAR is absolutely compelling and nearly perfect. Using the twenty year reign of terror in Peru from 1980-2000, director Pamela Yates explores how terrorism in Peru led to the erosion of democracy.
Bruce says: “The human body contains 50 million cells and each one of those cells contains the genetic code of our heritage. It is certain that DNA determines things like hair color and the size of the foot. FAMILIA wonders
Bruce says: “DOUBLE DARE is the story of two stunt women at different points in their career. Jeannie Epper at the age of 62 is the doyenne of Hollywood stuntwomen. Everyone knows and respects her. She has paid her dues
Chris says: “Originally produced for (but never shown on) Italian television, director Marco Tullio Giordana’s six hour miniseries has a cinematic sweep and scope makes it translate successfully as a theatrical release. “Split into three-hour halves, the first part opens