Julie says: “Writer/Director J.C. Chandor outdid himself in his first feature debut, MARGIN CALL. The movie (billed as a drama / thriller) while fictional tells a story very close to the truth. It follows the key people at an investment
Jason says: “I wonder and worry a bit about how LITTLEROCK will play outside the festival circuit. It’s a wonderful little film, but it would be easy for a well-meaning distributor to drastically change the experience. Of course, I’m also
Diane says: “This docu about former gang members who work as peacemakers in Chicago is inspirational and sobering. The film follows three violence ‘interrupters’ who work for CeaseFire over the course of a year. They’re very different from each other
Jason says: “At first, THE ILLUSIONIST looks amazingly simple and sweet – two kind people, perhaps not used to having their generosity returned, are lucky enough to find each other and create a life together. To say more may perhaps
Julie says: “Thought this one was very intriguing and well done- although the story pissed me off-you’ll see what I mean- One of my top docs somewhere between 4 3/4 and 5 cats”
Jason says: “The original version of THE HOUSEMAID is widely considered a classic of Korean cinema, the sort of thing one doesn’t remake lightly. For that film’s fiftieth anniversary, though, that’s what Im Sang-soo did, although it’s the sort of
Bruce says: “Cities have a way of defining themselves, adding up pieces the wholes of which greatly surpass the sums of their parts. FLORENT: QUEEN OF THE MEAT MARKET presents a case in point. Florent was not just another restaurant;
Thom says: “This film was a real find but it shouldn’t have been. Co-director Metzler had also co-directed one of my favorite documentaries PLAGUES AND PLEASURES ON THE SALTON SEA (2004) with Jeff Springer & I had shamefully forgotten that
Jason says: “A colleague of mine described Kim Ji-woon’s last film, THE GOOD, THE BAD, THE WEIRD, as an attempt to make an action movie with nothing but the Good Parts. Kim brings that same attitude to I SAW THE
Jason says: “THE DESCENDANTS is, I suppose, a movie about trust and responsibility, although I’m not getting very far trying to boil it down to parallel situations and easy lessons. That’s okay, though; this lets director Alexander Payne put a
