Michael says: “This lovely Argentinian film certainly feels like the filmmaker looking back on his childhood (I actually have no absolutely nothing about this filmmaker, so I don’t know if that’s true or not.) Alejandro Agresti has written and directed
Diane says: “I read that this is the 10th iteration of Les liaisons dangereuses to hit the screen. In this very erotic Korean version, set in the 18th century with its sumptuous trappings, director Je-yong Lee uses a subplot of
Michael says: “I’ve been itching to see this film on DVD ever since Georgette mentioned how much she loved it several weeks ago. I’d never pegged Georgette for a martial arts kind of gal, and as it turns out, TWILIGHT
Barbara says: “I really liked AN AMAZING COUPLE and after seeing it was able to look back at ON THE RUN and think better of it. After seeing ON THE RUN Mary, Tim and I all sort of went ‘Huh?’
Michael says: “Color me stunned. This was one enjoyable film! “Take your (anything but standard) biopic, add some bank robberies, some time in the big house, gun play and car chases, chic late ‘70’s fashion, steamy love scenes between a
Bruce says: “Tobey Maguire is so likable it is difficult for me to be objective about his films. Ordinarily I would not rate derivative comic book action films very high on my list. But I find the Spider-Man films enjoyable
Georgette says: “Every 12 years a massive Hindu festival takes place in Prayag, Uttar Pradesh where the Ganges (Ganga) and Yamuna rivers meet. The holiest swamis, gurus, and living saints gather to discuss religious doctrine, sing, and most importantly, bathe
Beth says: “So last month or so, thanks to Clint’s last minute offer of a free pass to its Boston sneak preview, I went to see SHAUN OF THE DEAD almost 100% clueless about it (an exceedingly rare state for
Michael says: “This hilarious spoof on kung fu films blends the art of Shaolin kung fu and soccer! If that sounds wacky, then you’ve got a good idea what SHAOLIN SOCCER will give you. It’s also incredibly sweet, and awfully
Diane says: “I was horrified that this was at an indie festival–and a packed house! Starts as a sophomoric satire of born-again Christians, ends spouting a platitudinous Christian message. This was at Sundance?! The Slant reviewer wrote: ‘An early contender