Michael says: “I am a fan of the Asian ‘hair horror’ genre kicked off so wonderfully several years ago by RINGU. Strangely enough, so does the American movie market. A TALE OF TWO SISTERS is a Korean entry into the
Michael says: “First-time filmmaker Alice Wu has created a delightful, blend of romantic comedy and culture clash in her story about the multi-generational, Chinese-American family. Wil is a successful young surgeon in New York City, but each Friday night she
Johanna says: “Am I the only one who has seen this movie?? I haven’t seen any mention of it in any of the recent discussions. I’m not a great review writer, but this film is really worthwhile. Although it may
Michael says: “My experience with Sarah Silverman amounted to her brief appearances in the recent documentary THE ARISTOCRATS, but an invitation to the Sarah Silverman party was reason enough for me to catch her first performance film, SARAH SILVERMAN: JESUS
Bruce says: “This simple story is about two Palestinian childhood friends who decide to become suicide bombers. The story may be simple but the issues are not. For over thirty years terrorism has been a major issue in Israel. Israel
Peg says: “If SIDEWAYS was wine’s MANHATTAN, MONDOVINO is its ROGER AND ME. An ambitious, sprawling (2 and a quarter hours and maybe a bit too long) documentary which mainly takes place in France, Italy and California (with brief segments
Michael says: “This challenging film of the misuse of power by the police during a dictatorial regime is further proof of the rise in the Korean film industry. In 1986 a small village in South Korea was plagued by its
Hilary says: “A kung fu comedy incorporating aspects of classic Hollywood cinema, Westerns, Looney Tunes, and a hint of musicals; no great need for a plot summary here. In short, the residents of Pig Style Alley rise up and fight
Chris says: “Even though it seems like a fairly conventional dialog-rich character study on the surface, this is really a strange, complex little film, if subtly so. It tells parallel stories of two ex-lovers: Nora (Emanuelle Devos) and Ismael (Mathieu
Bruce says: “This is the second Hungarian film I have seen recently that shows great promise for its director. First there was the delightfully enigmatic HUKKLE directed by György Pálfi and now there is KONTROLL, a dark, comedic allegory, directed