Peg says: “If SIDEWAYS was wine’s MANHATTAN, MONDOVINO is its ROGER AND ME. An ambitious, sprawling (2 and a quarter hours and maybe a bit too long) documentary which mainly takes place in France, Italy and California (with brief segments
Michael says: “This challenging film of the misuse of power by the police during a dictatorial regime is further proof of the rise in the Korean film industry. In 1986 a small village in South Korea was plagued by its
Hilary says: “A kung fu comedy incorporating aspects of classic Hollywood cinema, Westerns, Looney Tunes, and a hint of musicals; no great need for a plot summary here. In short, the residents of Pig Style Alley rise up and fight
Chris says: “Even though it seems like a fairly conventional dialog-rich character study on the surface, this is really a strange, complex little film, if subtly so. It tells parallel stories of two ex-lovers: Nora (Emanuelle Devos) and Ismael (Mathieu
Bruce says: “This is the second Hungarian film I have seen recently that shows great promise for its director. First there was the delightfully enigmatic HUKKLE directed by György Pálfi and now there is KONTROLL, a dark, comedic allegory, directed
Chris says: “Madeleine (Embeth Davidtz), owner of a Chicago gallery specializing in outsider art, finds herself very much an outsider when she travels to small town North Carolina to acquire a local artist’s work. Coincidentally, George (Alessandro Nivola), her husband
Bruce says: “Looking at the world through a child’s eyes is a wonderful cinematic experience providing the director is competent and the child is perfect for the role. Fortunately both ingredients are present in I AM. Piotr, the lead, was
Chris says: “I have to admit I was hooked from the first scene, where the amazing, immense contraption that gives this film its title emerges through a brown, dusty fog. Although based on a story by Diana Wynne Jones, this
Bruce says: “The opening scenes of Bernardo Bertolucci’s THE DREAMERS involve Andre Malraux’s firing of Henri Langlois founder of the Cinémathèque Française. In front of the Cinémathèque Matthew, an American, meets Isabelle and Theo, twins who have a bizarre incestuous
Chris says: “This historical recreation of Edward R. Murrow’s televised expose of Joseph McCarthy is a strong second directorial effort from George Clooney. The impressive ensemble is headed by David Strathairn, who delivers a career-best performance as Murrow; also good