Jay says: “At some point, Brett Harvey and Adam Scorgie should probably have changed the name of their documentary on the underground marijuana industry; the Union of the title isn’t mentioned until at least halfway through. THE UNION: THE BUSINESS
Jay says: “The decaying city is a staple of anime and science fiction (though TEKKON KINKREET doesn’t really fit that genre). It appears in many conventional urban genres, too, but they seldom have the ability to really show the audience
Michael says: “This buried treasure nominee is a visual feast, part Romeo & Juliet, part cowboy cum gangster flick, part wacky farce. Dum and Rampoey are have been in love since they first met as children, but different social classes
Michael says: “SUNFLOWER is Chinese director Zhang Yang’s autobiographical look at the relationship between a father and son across three turbulent decades in China. Xiangyang is born in 1967 during the Cultural Revolution. As an infant, his father, Gengnian, is
Chris says: “It’s easy for most of us to forget what it feels like to be a child, especially if you don’t work with children or aren’t a parent. Bradley Beesley and Sarah Price’s straightforward but affecting documentary unerringly captures
Jason says: “STRENGTH AND HONOUR is likely not a movie I see outside of a festival setting, because it looked to combine a couple of genres I’m not particularly fond of – the ‘poor and miserable Irish people’ movie and
Michael says: “STEPHANIE DALEY is a small, indie film that had a brief run in Boston back in May. It starred Tilda Swinton (THE DEEP END; TEKNOLUST) and Amber Tamblyn (THE SISTERHOOD OF THE TRAVELING PANTS), and got fairly positive
Michael says: “Come on, wouldn’t you see this for the cast alone? Another film featuring a widowed academic in New York City, similar in gentle tone to THE VISITOR, but with a different look at the way we live our
Bruce says: “Just before Christmas, Lionel (Lionel Baier) discovers that his family tree has some Polish branches. Most people would find such information mildly interesting but Lionel is a man of extremes. Although he is openly gay, he dumps his
Bruce says: “Brillante Mendoza, director of MASSEUR which I saw at the 2004 Toronto International Film Festival, has come a long way in a few years. He still uses many untrained actors although the four leads in SLINGSHOT are actors