Jason says: “It’s not really important that the first ‘Millennium’ novel (and film adaptation) is called Men Who Hate Women in Sweden, becoming The Girl with the Dragon Tattoo in English-speaking countries for the purpose of having the entire trilogy
Jason says: “How things change; before THE KING AND THE CLOWN, which was very careful about what it showed of its title characters’ relationship, I don’t think you ever saw gay characters in Korean cinema, and Park Chan-wook’s THIRST wound
Jason says: “FAIR GAME is a good movie that is going to have a target on its back for all the wrong reasons. If the story were relocated and names were changed, both its issues and its strengths would be
Diane says: “Looking for a new perspective on global poverty? You’ll enjoy Dutch artist Renzo Martens’ provocative forays into World Bank meetings, UNHCR camps (asking a camp director, ‘If someone wants a shelter, does it -have- to have a logo
Jason says: “Many filmmakers produce a movie like ECHOES OF THE RAINBOW at some point in their careers. It’s an autobiographical story set in the place and time of the writer/director’s youth, and though I’m not sure whether it’s actually
Jason says: “I hate to be a scold about such things, but I saw DISTRICT 13: ULTIMATUM back-to-back with FROM PARIS WITH LOVE (well, back-to-back with time to walk from one theater to another). Both came from Luc Besson’s action-movie
Chris says: “With their first two features, filmmakers/brothers Josh and Benny Safdie already demonstrate a knack for designating reasonably unsympathetic characters as their protagonists: THE PLEASURE OF BEING ROBBED followed an unrepentant kleptomaniac, while DADDY LONGLEGS offers up Lenny (Ronald
Jason says: “I admit it – when I opened up the IMDB page for CUMMINGS FARM for reference while writing this review, I was kind of shocked to go straight to the film page, rather than a list of this
Jason says: “I am certain that there is no shortage of bad independent films which focus on kids; after all, there are plenty in the mainstream. Having to contend with boutique cinema and festival programmers looking to please grown-up audiences
Jason says: “I suspect that Neil Marshall will never break through to doing big Hollywood movies, assuming that holds any interest for him, despite just how good he is at every aspect of the job. The man is just too
