Jason says: “EL BULLI: COOKING IN PROGRESS has a strange start for a documentary abouta famous chef and his equally famous restaurant: The kitchen is disassembled and packed away. This is not, however, a precursor to a jump back in
Jason says: “It doesn’t always work out this way, but ending the trip to New York City for the Asian Film Festival with BUDDHA MOUNTAIN turned out to be a nice way to decompress. After a non-stop barrage of movies
Thom says: “This absorbing adaptation of the great Graham Greene (how could he have not won the Nobel prize is a mystery) novel is a remake of a 1947 entry which I haven’t seen which starred the young Richard Attenborough.
Jason says: “You’ve got to sort of admire a movie like A BEAUTIFUL LIFE. It’s filled with characters that could easily be defined by how they are handicapped or burdensome, and yet it’s not a pity-baiting exercise. Well, not more
Jason says: “ATTACK THE BLOCK got ridiculously high praise from genre fans at festival showings this year, and it’s not quite that good. Then, in between its US opening and its expansion to Boston, the London riots started, and talk
Diane says: “Entertaining docu from Israel, screened at the Boston Jewish Film Festival today. Director Regev Contes tries to help his father get a failing insurance company back on its feet. But Dad and his two buddies would much rather
Michael says: “Got out to the Independent Film Festival of Boston tonight, and was not disappointed by Debra Granik’s outstanding WINTER’S BONE. This taut, atmospheric drama has already racked up some awards at Sundance and Berlin, and I sure hope
TC says: “Back in the mid 70s, Jack Rebney was a television producer hired to host a Winnebago sales video. When they finished the video, the outtakes started leaking out, and it seems Jack had a penchant for swearing. This
Jason says: “WAR DON DON was what they shouted about ten years ago in Sierra Leone to announce that a vicious civil war (one barely reported abroad) was over. The end of a war, however, is seldom accompanied by an
Jason says: “The hackneyed phrase that is often used to describe this movie is ‘a Serbian AMELIE,’ which I think does it a disservice because, well, I didn’t like AMELIE much at all. Gilliam might be a better comparison; after