Bruce says: “I’ve said it before – François Ozon is one of those filmmakers whose skills are immense but has yet to produce the masterpiece showcasing his talent. IN THE HOUSE is an expository film, one that centers on the
Jason says: “Ti West knows how to make his audience jump, which isn’t necessarily as easy as it sounds. Harder, though, is leading up to those jumps with light comedy and deep shivers, and West pulls that off, too. The
Thom says: “This is a nasty little film that certainly knows how to entertain once you get past the content. I’ve never seen any of Vroman’s previous output but I can say he’s done a very professional job here. Shannon
Chris says: “Honestly one of the strangest films I’ve ever seen, and perhaps one of the most wonderful. In his first feature in over a decade, filmmaker Leos Carax(THE LOVERS ON THE BRIDGE), along with his regular collaborator, the wiry
Thom says: “A young, big, burly man returns after a long stint in the army to his village and is either ignored or reproached by his old neighbors and acquaintances. His betrothed has married another man who died on the
Jason says: “We’re probably healthier as a society for not throwing terms like ‘insane’ or ‘crazy’ around quite so much as we used to. It’s not always the case in the movies, where simple homicidal maniacs are often the norm,
Bruce says: “Carlos Sorin returns to Patagonia, the setting of his wistful 2004 film BOMBÓN: EL PERRO. One might call GONE FISHING a double road story. The main character Mario (Alejandro Awada) is on the road to recovery and is
Jason says: “The ‘ghosts’ of this movie’s title are not supernatural; ‘gwai lo’ in Cantonese is both the word for ghost and slang for white/foreign people, and since this movie posits a future where the Western economies have collapsed… Well,
Bruce says: “The USA started the ball rolling with HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING in 1967 (based on the Broadway show that debuted six years earlier) and Canada gave us THE APPRENTICESHIP OF DUDDY KRAVITZ in 1974.
Jason says: “The makers of this anthology were given dozens of instructions that ranged from restrictive to twee, or so the legend goes, although ultimately they had a fair amount of leeway so long as they made a movie on