Thom says: “This historical epic was originally a project for the great Chilean director Raoul Ruiz and was actually in pre-production when Ruiz passed away. The project was then handed to long-time Ruiz collaborator and wife Sarmiento. The film concerns
Bruce says: “The Dardennes are back with another tale of disillusioned youth. This time the subject child is Cyril (Thomas Doret) a child who has been dumped in an orphanage after his father Guy (Jérémie Renier) abandons him. Cyril’s first
Thom says: “Another recent winner from the enterprising Film Movement group this one emerges from Columbia, a rare treat. Karen, who’s married to a slimy businessman of no uncertain power decides to leave after ten years of an icy, reproachful,
Bruce says: “I’ve said it before – François Ozon is one of those filmmakers whose skills are immense but has yet to produce the masterpiece showcasing his talent. IN THE HOUSE is an expository film, one that centers on the
Jason says: “Ti West knows how to make his audience jump, which isn’t necessarily as easy as it sounds. Harder, though, is leading up to those jumps with light comedy and deep shivers, and West pulls that off, too. The
Thom says: “This is a nasty little film that certainly knows how to entertain once you get past the content. I’ve never seen any of Vroman’s previous output but I can say he’s done a very professional job here. Shannon
Chris says: “Honestly one of the strangest films I’ve ever seen, and perhaps one of the most wonderful. In his first feature in over a decade, filmmaker Leos Carax(THE LOVERS ON THE BRIDGE), along with his regular collaborator, the wiry
Thom says: “A young, big, burly man returns after a long stint in the army to his village and is either ignored or reproached by his old neighbors and acquaintances. His betrothed has married another man who died on the
Jason says: “We’re probably healthier as a society for not throwing terms like ‘insane’ or ‘crazy’ around quite so much as we used to. It’s not always the case in the movies, where simple homicidal maniacs are often the norm,
Bruce says: “Carlos Sorin returns to Patagonia, the setting of his wistful 2004 film BOMBÓN: EL PERRO. One might call GONE FISHING a double road story. The main character Mario (Alejandro Awada) is on the road to recovery and is
