Jason says: “REMOTE AREA MEDICAL takes great pains to separate itself from partisan politics as much as possible, but its very premise – that a service designed to bring basic medical treatment to people in areas without any sort of
Michael says: “Mira Nair is a talented filmmaker. Her latest film, THE RELUCTANT FUNDAMENTALIST, is beautiful to watch, well structured, provocative, features terrific performances and a real slow burn. Unfortunately, the screenplay by William Wheeler, adapted from a novel by
Jason says: “Much of the time, a movie that was expanded from a short will feel bloated and kind of boring, as though the striking idea behind the original work has been watered down and made bigger without gaining more
Jason says: “THE PREY isn’t a big summer blockbuster by American standards; for all I know, it wasn’t a big deal when it played its native France as LA PROIE two years before its American release. It is a lean,
Chris says: “A brief bio of George Plimpton would say that he was a journalist and co-founder of venerable literary magazine The Paris Review. Still, more so than Jean Shepherd, Truman Capote or even David Sedaris, Plimpton was most famous
Bruce says: “Ulrich Seidl has stirred up a controversy or two with his films IMPORT/EXPORT and PARADISE: LOVE. To understand the fuss it is important to see the film, at least that is the case for PARADISE: LOVE that begins
Jason says: “Addiction to prescription medication is hardly limited to rural America, but it thrives there. The reasons why communities like Oceana, West Viginia have such a serious problem with painkillers like Oxycontin are far from the first concern of
Jason says: “AN OVERSIMPLIFICATION OF HER BEAUTY began life as a short film, ‘How Would You Feel?’, and goes about building that work up to a feature in an unusual way, not so much expanding it but responding to it.
Jason says: “There’s enough staged footage with actors in NO PLACE ON EARTH that one almost wonders why director Janet Tobias didn’t just present this story of a Jewish family hiding from the Nazis in caves for the better part
Thom says: “Kitamura, well-known for such horror fare as VERSUS and THE MIDNIGHT MEAT TRAIN does his best work here but be warned this serial killer film is way over-the-top when it comes to bloody, ultra-disgusting scenes. While the ending