Bruce says: “The incomparable Ricardo Darin stars as Roberto Bermúdez, a professor of law who has acclaimed academic and forensic careers and a shambles of a personal life. The film opens with Roberto extremely hung over and lying on a
Jason says: “THE PAINTING (LE TABLEAU in the original French) is beautiful, and witty, and smart; you can tell that from the first frame of this movie about the lives of the figures inside a painting. And if it merely
Jason says: “The last horror movie I saw that I recall really messing me up was ‘Dumplings’, Fruit Chan’s segment of the THREE…EXTREME anthology. After a decade of making movies that have not particularly traveled outside of the various Chinas,
Jason says: “In China, there was a mere four-week wait between TAI CHI ZERO and this second part of the story; depending where you are in America, it wound up being six to eight months. Not that it much matters;
Kyle says: “THE LAST SUPPER screened in its U.S. Premiere at the New York Asian Film Festival. According to various reports, the SARFT (State Administration for Radio, Film and Television), otherwise known as the Chinese censors, worked themselves into a
Jason says: “It’s funny what gets to a person during this type of movie. I was doing okay through most of STILL MINE (which played festivals as STILL, and may have kept that name in some places), and then I
Jason says: “No matter how bound and determined a viewer is to just sit back and enjoy STARBUCK for the light comedy that it is, there are going to be moments when he or she can’t help but think it’s
Jason says: “It’s hard enough to try to review the first films to play a festival, writing a paragraph at a time between other screenings, but something like THE SPECTACULAR NOW makes it even more difficult. It’s does almost nothing
Kyle says: “SING ME THE SONGS THAT SAY I LOVE YOU is a documentary of the May 2011 Town Hall concert in New York in loving memory of Kate McGarrigle by Rufus and Martha Wainwright, her children with singer/songwriter Loudon
Jason says: “There’s a twenty-year jump early in SHADOW DANCER, from 1973 to 1993, and another twenty years between then and the present day, and there’s something appealing about that sort of symmetry, especially with the reminders in the background