Lorraine says: “Keep an eye out for HORSES OF GOD. Beautifully made examination of fictional young men based on events leading up to the 2003 suicide bombings in Casablanca. Beautifully shot. Strong performances. Sure handed directing that does not take
Jason says: “Dead things appear early on in HIDE YOUR SMILING FACES, as three kids poking around an abandoned building find a dead bird and do not exactly treat it with respect. It’s a good starting point for writer/director Daniel
Jason says: “I know some folks who will dismiss HAL because it’s animated (and from Japan – the characters even have big eyes!) but might otherwise seek out the humanistic flavor of science fiction it represents. It’s a nifty little
Jason says: “Initially, THE GUEST almost seemed like a step back for the team of writer Simon Barrett and director Adam Wingard. It introduced pleasant enough cast and set up a kind of familiar ‘stranger in the house is more
Jason says: “GOD HELP THE GIRL is hardly the first time someone has taken a set of songs with an existing strong narrative and made a movie out of them, and as such not the first to demonstrate that slavish
Jason says: “Palace intrigue stories, no matter what the culture, tend to develop over time, playing out in subtle ways requiring either inner monologues or exposition that doesn’t necessarily fit well into a movie. There are good ones, but it’s
Bruce says: “Elaine Stritch has always maintained a ‘take no prisoners’attitude throughout her career so it is no surprise that she agreed to make this documentary with a caveat: ‘I don’t want this to be a fluff piece. It’s got
Michael says: “For his latest film, Atom Egoyan tackled the controversial true story of the West Memphis Three, a court case about the shocking murder of three young boys. Three young men were targeted as the murderers because of the
Jason says: “I wouldn’t necessarily expect Alejandro Jodorowsky to be particularly prone to nostalgia; the director, writer, and ‘psychomagician’ has, throughout his career, favored the grandly imaginative and metaphysical to the mundane to an extent that few in any medium
Jason says: “Even by black comedy standards, CRIMES AGAINST HUMANITY is kind of on the mean side. That’s no knock; mean can work, especially in a movie like this that is more about tying jokes together than building to one