Jason says: “Film festivals, or the other ways that film lovers cram more movies than their friends watch in a month into a much shorter span of time, can really warp one’s perception of a given picture via context. On
Jason says: “TOMMY starts out looking like it might be a certain type of movie – you know, the one where the underestimated woman at the center is eventually revealed to always be three steps ahead of everyone around her
Jason says: “Stephen Hawking’s life story is extraordinary, but not necessarily cinematic – its milestones are often losing the ability to do things, and his accomplishments can be difficult for laymen to understand. So what do you do? In this
Jason says: “According to the post-movie Q&A, writer/director Richard Bates Jr. initially couldn’t get any projects off the ground after EXCISION, in part because that movie, despite garnering many positive reviews and festival awards, was just absurdly dark. So for
Jason says: “Apparently the literal translation of this movie’s Korean title (‘SONYEO’) is simply ‘Girl’. Fair enough, and evocative in its own way; maybe in some ways a little better than the English-language title it’s been given for the festival
Michael says: “STAY is the long-awaited second narrative feature from Chlotrudis winner and friend, Wiebke von Carolsfeld. It comes ten years after her powerful debut, MARION BRIDGE, and while STAY may not pack the emotional or dramatic punch as the
Jason says: “THE SKELETON TWINS refers to something which appears within the movie almost entirely so that the title will mean something, much like these indie family dramas with established actors themselves often seem to be in the same sort
Jason says: “There are many ways to have a good road trip; you can do it by sticking close to a map and itinerary, let your whims guide you, or do something in between. There are many ways to mess
Bruce says: “First there was HEADING SOUTH, Laurent Cantet’s 2005 film that featured middle-aged women fighting for the affections of Haitian beach boys. Then came PARADISE: LOVE, Ulrich Seidl’s searing 2012 portrait of Austrian women who go to Kenya to
Kyle says: “SALVO is a rather remarkable feature film debut by writers and directors Fabio Grassadonia and Antonio Piazza (although they have a substantial chronology together as writers and script consultants) — a Mafia thriller that is both mainstream and