Michael says: “ATLANTIS is the Ukraine’s 2021 entry to the Oscars. A simple, straight-forward story that tells a grim tale set four years in the future with glimmer of hope in the form of love. While efforts are underway to
Beth C. said: “SONG WITHOUT A NAME, by Melina León is a Spanish language film from Peru about an indigenous Andean woman whose baby is stolen at birth via an underground trafficking ring. The story is based on real events,
Bob says: “A look at immigrant life in a gentrifying area of London, with Brexit hanging over everything. A Bulgarian woman, her brother (both well educated) and her son are eking out a life in a former council flat in Peckham.
Michael says: “This Mexican feature is a slow burn as a mother travels from her tiny village in Guanajuato to the Mexican/US border to find out what happened to her son. Along the way she encounter resistance, danger and mounting
Michael says: “Autumn is a 17-year-old girl who’s most likely considered an outsider may her peers, has a fractious relationship with her stepfather, and escapes into her songwriting and guitar-playing as possibly her only solace. She works as a grocery
Michael says: “Wow. This one took me by surprise, and I really loved it. A coming-of-age story about a young man growing up in a traditional, conservative town in Georgia (the country). Our lead, Merab, is a good son living
Michael says: “HONEYLAND was a remarkable documentary; I think it was my top film of the festival. Remarkably shot, incredibly edits, a real gem of a story that was somehow gifted to the filmmaker, HONEYLAND also illuminates a culture I
Brett says: “This piece is a sort of ‘Hitchcock re-imagined’ film that slowly burns away at the viewer’s sensitivities and perceptions. At the center of the film is a hint of a love triangle among a part-time delivery boy Jong-su, an
Bruce says: “So cleverly crafted is Jafar Panahi’s TAXI that it could easily be mistaken for a documentary. Winner of the 2015 Golden Bear at the Berlin Film Festival, TAXI is another creative response from Panahi (THIS IS NOT A
Jason says: “Well, that’s certainly something I’m glad to have seen, although I’m also sort of thankful that I’ll likely never see the like again. The excited parts of that sentence are to be expected from a movie whose opening