Jason says: “My half-a-lifetime-ago high school French tells me that the title of this movie doesn’t quite translate to ‘The Other Son’, but to ‘The Son of the Other’ and that does turn out to be a fairly important distinction.
Michael says: “Nuri Bilge Ceylan’s seventh film (following the outstanding trio of DISTANT, CLIMATES, and THREE MONKEYS continues the trend proving him to be a filmmaker of note. ONCE UPON A TIME IN ANATOLIA clocks in at 157 minutes, and
Jason says: “THE LAST PUSH is a movie by space nuts but for a larger audience, and I very much hope that it will find one on the festival circuit. The filmmakers give themselves the opportunity to do a lot
Jason says: “Foreign movies often take a while to open in the United States for a number of reasons, and while the eight months since FLYING SWORDS OF DRAGON GATE (LEE MEN FEI JIA) opened in Hong Kong actually isn’t
Jason says: “Though Harvey Weinstein has saddled this movie with a generic name for when he finally gets around to releasing it in the USA (the man can’t help himself), the original Chinese name of WU XIA is even more
Jason says: “Anthology film DOOMSDAY BOOK does not quite end the world in three ways, as one might expect it to do. Even more interesting is that the contemplative middle segment comes from noted action director Kim Jee-woon, whose unusual
Jason says: “COLUMBARIUM is not quite one jettisoned gimmick away from being a perfect little thriller, but it’s tight and suspenseful enough to impress as it is, telling a good little story without much in the way of fat at
Thom says: “This was a wonderful gift from a friend that was chock-full of pluses from some very imaginative filmmakers. The lead actor playing the father of the family Tom Thompson is two-time BAFTA winner Chris Langham. Trust me, this
Matt says: “ATONEMENT director Joe Wright’s bold costume drama ANNA KARENINA served as my introduction to Leo Tolstoy’s beloved story of passion and infidelity among aristocrats in 19th century Russia. Despite my lack of familiarity with the novel, Wright’s audacious
Jason says: “YELLOWBRICKROAD is a movie constructed out of every tangentially-related spooky idea that its makers could graft onto the setting, and that grab-bag approach can be a dangerous way to put a movie together, even one where the usual