Thom says: “Naturally, I’ve been expecting this treasure for awhile now. When in New York this past October I’d heard of its imminent release but since it has yet to open here in backwater San Francisco I thought it would
Jason says: “Times are tough for everybody, although ‘tough’ can be a relative concept. The further you get from the bottom, not only does it get further from what many would consider really difficult, but harder to sympathize, at least
Jason says: “Even as mock-documentary movies go, SUNFLOWER HOUR looks kind of bare bones, but partly by design. Of course, even when cheapness is part of the aesthetic, that doesn’t mean a filmmaker knows how to use it – despite
Jason says: “As much as action movies and thrillers will often try to impress by their intricacy and build-up to a spectacular climax, there is something tremendously satisfying to the two-step process that Frédéric Jardin uses for SLEEPLESS NIGHT (NUIT
Bruce says: “I was a huge fan of Jacques Audiard’s THE BEAT THAT MY HEART SKIPPED (2005) and READ MY LIPS (2001). His most acclaimed film A PROPHET (2009) did not score as high with me as with other viewers
Jason says: “My half-a-lifetime-ago high school French tells me that the title of this movie doesn’t quite translate to ‘The Other Son’, but to ‘The Son of the Other’ and that does turn out to be a fairly important distinction.
Michael says: “Nuri Bilge Ceylan’s seventh film (following the outstanding trio of DISTANT, CLIMATES, and THREE MONKEYS continues the trend proving him to be a filmmaker of note. ONCE UPON A TIME IN ANATOLIA clocks in at 157 minutes, and
Jason says: “THE LAST PUSH is a movie by space nuts but for a larger audience, and I very much hope that it will find one on the festival circuit. The filmmakers give themselves the opportunity to do a lot
Jason says: “Foreign movies often take a while to open in the United States for a number of reasons, and while the eight months since FLYING SWORDS OF DRAGON GATE (LEE MEN FEI JIA) opened in Hong Kong actually isn’t
Jason says: “Though Harvey Weinstein has saddled this movie with a generic name for when he finally gets around to releasing it in the USA (the man can’t help himself), the original Chinese name of WU XIA is even more