Chris says: “Art is a tricky subject for a movie. Most filmmakers take the artist biopic route (and many of them end up feeling stuffy and hermetic) while others utilize a more experimental approach (RUSSIAN ARK and its feature-length tracking
Jason says: “This movie seems like it has no business being as good as it is – it’s a sweet, goofy thing that makes occasional ventures into crude adult territory, and the world of sentai action it’s set in demands
Jason says: “Imagine a hat containing many pieces of paper. Each one of those slips of paper has written upon it an offbeat comedy trope, and screenwriters start their work by grabbing a handful. KEY OF LIFE is an example
Jason says: “The time period covered by JOSÉ AND PILAR aligns, roughly, with the time it took Nobel Prize-winning writer José Saramago to bring his book The Elephant’s Journey from concept to release, and that sounds like a fairly dull
Thom says: “Most ‘movie’ folks have been assiduous followers of the Spanish master Almodóvar since early in his career and I count myself among them although, honestly, I’ve rarely considered the possibility of him going to the TIP-TOP, mainly due
Jason says: “Werner Herzog is the name that will (and should) draw people to HAPPY PEOPLE: A YEAR IN THE TAIGA, although it’s likely that the other credited director, Dmitry Vasyukov, actually spent more time in Siberia gathering footage. However
Michael says: “Of all of William Faulkner’s catalog, I have only read The Sound and the Fury, but that is enough to tell me that James Franco successfully captures the tone and feel of Faulkner in his co-written adaptation of
Jason says: “The world may be a ruined desert in BOUNTY KILLER, complete with the usual settlements built entirely out of wreckage, elaborately made-up bands of wandering savages, and the like, but it’s also one where the one percent have
Jason says: “THE BODY (EL CUERPO in Spanish) is the sort of thriller that to all appearances never lets the audience get too far behind – in fact, it often feels like the viewers are ahead of the characters. That
Jason says: “At times, ALL IS LOST presents itself as pure problem-solving porn: No speaking, no backstory, not necessarily even much of a sense that filmmaker J.C. Chandor has anything else on his mind besides just showing what’s happening to