Jason says: “Anthology film DOOMSDAY BOOK does not quite end the world in three ways, as one might expect it to do. Even more interesting is that the contemplative middle segment comes from noted action director Kim Jee-woon, whose unusual
Jason says: “COLUMBARIUM is not quite one jettisoned gimmick away from being a perfect little thriller, but it’s tight and suspenseful enough to impress as it is, telling a good little story without much in the way of fat at
Thom says: “This was a wonderful gift from a friend that was chock-full of pluses from some very imaginative filmmakers. The lead actor playing the father of the family Tom Thompson is two-time BAFTA winner Chris Langham. Trust me, this
Matt says: “ATONEMENT director Joe Wright’s bold costume drama ANNA KARENINA served as my introduction to Leo Tolstoy’s beloved story of passion and infidelity among aristocrats in 19th century Russia. Despite my lack of familiarity with the novel, Wright’s audacious
Jason says: “YELLOWBRICKROAD is a movie constructed out of every tangentially-related spooky idea that its makers could graft onto the setting, and that grab-bag approach can be a dangerous way to put a movie together, even one where the usual
Jason says: “It is customary, when discussing master filmmakers still producing movies well past when people in most industries have retired, to comment on how they are still vital and what an inspiration it is that they still love their
Jason says: “I don’t think it was Patricio Guzmán’s plan to do a bait-and-switch with his documentary NOSTALGIA FOR THE LIGHT, but if it was, he executes an unusually smooth and effective one here: It’s one thing to start with
Jason says: “MILOCRORZE: A LOVE STORY is the sort of colorful, genre-mashing flick that doesn’t just try to bowl the audience over, but practically insists on it, overwhelming the viewer with color and sound and sudden shifts until they either
Jason says: “There is a certain joy to a move that takes the word ‘cliffhanger’ literally, as A LONELY PLACE TO DIE does in its very first scene. Director Julian Gilbey will go back to this well another time or
Bruce says: “Make no mistakes, GAINSGOURG: JTAIME .MOI NON PLUS is no straightforward biopic. Rather than attack his subject conventionally, Joann Sfar is capricious and daring in his portraiture of Serge Gainsbourg. Sfar pages back and forth to Gainsbourgs childhood to