Kyle says: “THE JEWISH CARDINAL disappoints in the way of most fictional accounts of real people and events: The messiness of life must be reduced to the neatness of fiction. This account of the relationship between Jean-Marie Aaron Lustiger, Archbishop
Jason says: “I AM HERE is heart-and-gut-wrenching in its first act, taking horrific events and making them hurt more with things that would at first glance have the opposite effect. It’s not quite so sure-handed when it starts to actually
Jason says: “A little over ten years ago, director Jang Joon-hwan made a good-sized splash with a film by the name of SAVE THE GREEN PLANET, but after that, barely a peep. He certainly seems to have come back to
Jason says: “Sitting down for MISS GRANNY, I had a horrible fear – what if this was 200 POUNDS BEAUTY again? The template, right down to the newly-cute protagonist becoming a singer, was sort of the same, and it certainly
Kyle says: “Every year in late March, the Film Society of Lincoln Center and the Museum of Modern Art co-produce a festival called New Directors/New Films. Screenings take place at the FSLC’s Walter Reade Theater, and at MoMA’s Ray and
Jason says: “I must admit to not having a particular affinity for movies about gangs, and I kind of worry that being drawn to this one because it is set in South Africa rather than an American city doesn’t speak
Jason says: “SNABBA CASH II was released under the title EASY MONEY: HARD TO KILL in the US last week a year and a half after it played in Sweden. This choice of date and title apparently driven by a
Jason says: “CHEATIN’ is the new Bill Plympton movie, his first feature since 2008’s IDIOTS AND ANGELS, and it’s a fine demonstration that over thirty years as an independent animator, he hasn’t dulled his edge much while carving out his
Thom says: “It’s a rare film where I have a personal connection with the protagonist, no matter how small, which is the exact case here where for one semester on my way to my B.A. in Film from San Francisco
Jason says: “THINGS NEVER SAID, while it spends a lot of time on spoken word erformances, enough for it to be a major focus of the film and the way most people recommending it will describe it to others, isn’t