Diane says: “This ’02 docu on Baba Ram Dass has no reviews on the Chlo website, so I throw one in belatedly, because I found it worthwhile viewing. Three of us watched it, none of us knowing much about this
Laura says: “MOSTLY MARTHA takes its cue from every film that’s ever found a single adult suddenly become responsible for a child. The cold climate/warm climate analogies of ITALIAN FOR BEGINNERS are present everywhere, from the restaurant’s name to Lina’s
Ellen says: “I was not especially excited to see this film based on the previews, but if my friends ask me to go, I’m usually game to try to expand my horizons unless I know I’ll absolutely hate something. Going
Robin says: “BIG FAT LIAR, with its young TV stars, comic bad guy and goofy fun, is aimed squarely at the older kids/younger teen audience. With its plethora of site gags, harmless vengeance and comic antics, it should strike pay
Diane says: “JUNG is a cinema-verité docu about an Italian doctor, British nurse, and Italian journalist working to set up a hospital for war victims in northern Afghanistan. I had the same reaction as I did to NO MAN’S LAND:
Robin says: “There is not a lot new to the original screenplay by James Kearns, which is the weakest aspect of the film. It is often trite, manipulative and derivative of other films, but the craftwork behind the camera and
Michael says: “The first film we saw on Saturday was Mira Nair’s latest film, HYSTERICAL BLINDNESS. No psuedo-Bollywood, or Indian weddings here. Based on a play, this film was executive produced by and starred Uma Thurman. Thurman must have seen
Emily says: “Greg and I caught this documentary film about the band Wilco last night. Though Greg, as a band leader himself, found the film lacking in footage of the ‘making music’ process, for those of you who are interested
Michael says: “Like the film RAIN, which I saw earlier this week, France’s GIRLS CAN’T SWIM is a coming-of-age story fraught with tragedy. Gwen and Lise have been spending summers together in Gwen’s coastal hometown. When sudden tragedy prevents Lise
Diane says: “If I have to watch a movie about the movie industry, I’ll take this one over MULHOLLAND DR. FESTIVAL IN CANNES by Henry Jaglom is a romantic comedy/satire of Hollywood deal-making. The very entertaining screenplay shows writers, real