Chris says: “Stars a rarely-better Parker Posey as a Cleveland ad exec who has never had an orgasm, ever. A thin premise and somewhat clumsy script are enlivened by a decent cast: Paul Rudd (shlubby and nearly unrecognizable with copious
Michael says: “In theory, the life of Bettie Page seems like a perfect basis for a biopic. A young girl growing up in the 40’s and 50’s, Page travels from Nashville to New York to pursue her dreams of acting.
Chris says: “Had I seen MARIE ANTOINETTE ten years ago, I would have walked out the theater flushed and excited, declaring it my favorite of the year. Now, I know a little better to lavish such praise on what is
Bruce says: “I would recommend this film for groups of people to see together, not so they might learn something new but as a catalyst for discussion on Iraq and its future. To adequately discuss the future one must necessarily
Bruce says: “This film is the story of Fontaine Leglou (Emmanuelle Devos) who is caught by surprise when the man she lives with (Bruno Todeschini) proposes marriage. Why is it so difficult to say ‘yes’ to what every woman is
Bruce says: “THE FOUNTAIN, a barely likeable film, is an overly ambitious opus about love and death that takes place in the past, the present and future. Hugh Jackman and Rachel Weisz play Isabel and Tomas in the days of
Bruce says: “Being a fan of Eric Schlosser’s Fast Food Nation, I was looking forward to Richard Linklater’s fictionalized version of Schlosser’s multiple exposés of the fast food industry, the Colorado meat packing industry, and the US immigration policies (or
Bruce says: “Mickey Rourke fans and/or BARFLY fans should probably stay away from this film. Both BARFLY and FACTOTUM are based on the autobiographical novel penned by poet Charles Bukowski. FACTORUM traces the drinking marathons and sexual escapades of Henry/Hank
Beth says: “A French film co-directed by Jean-Marc Barr (also an actor, a la COTE D’AZUR) and Pascal Arnold, this film was about a group of beautiful but aimless French teenagers screwing around, getting high and playing in a rock
Bruce says: “Judging the merits of a documentary can be daunting. Has the filmmaker made a focused statement? Does the film develop a mosaic based on a topic or theme? What about the truth – should the filmmaker be bound