Chris says: “The latest from writer/director James Gray is almost nakedly autobiographical. His 11-year-old alter ego, Paul (Banks Repeta) lives in Queens, 1980 (as Gray did), the younger son of a middle-class Jewish-American family whose grandfather (Anthony Hopkins) arrived at
Chris says: “Standard talking heads doc that’s nonetheless zippy thanks to the quality of the interviewees (you can never go wrong with Mel Brooks in one of these) and an abundance of archival photos and footage that tell you everything
Chris says: “Kind of an upper-middle class Scottish take on THE ARBOR with Alan Cumming lip-syncing the testimony of the main subject, who did not want to be filmed (for good reason, as you’ll see.) Altogether a fascinating subject and
Chris says: “Well, there is a shot of the moon. I didn’t count to see if there are, in fact, as many questions as the title promises. Regardless, much of this Greek feature is good and unique and ambitious, but,
Chris says: “Production design’s less invasive and conceptually it’s far more theoretical than what came before, but it’s still a Peter Strickland film, one centered on desire, tenacity, taboo and general weirdness. Headier thrills for sure, but also a tad
Brett says: “NANNY is a hybrid genre film based loosely on the story of director Nikyatu Jusu’s own mother and her experience with domestic work in New York City. The genre elements include West African folklore to amplify the horror
Brett says: “KNIVES OUT scratched an itch in audiences that they may have not known they even had when the first film in the franchise revived a standard for classic murder mystery characters in a refreshing new standard of modern
Brett says: “Sometimes the power and outreach of an artistic venture is more important than the attempt to measure or ‘rate’ the art within. BONES OF CROWS is a timely piece that narrates intergenerational tragedy after tragedy among a family
Brett says: “According to the film, SISU is a word that has no clear translation but one that reflects undeterred courage and determination when all hope is on the chopping block. This Finnish film from RARE EXPORTS director Jalmari Helander
Brett says: ” This first feature from director Elena López Riera is part fable within a fable in which a small Valencia village is ravaged by generational floods. The legend behind the floods framing the story within is tied to