Chris says: “Shot by Yutaka Yamazaki, who has served as cinematographer on Hirokazu Kore-eda films from AFTER LIFE to AFTER THE STORM, this second feature from director Kei Chika-ura is often Kore-eda Lite, although what’s missing is the supple touch
Diane says: “THE HUMAN VOICE, stars Tilda Swinton, so you’re already feeling good. Made in 2020, it’s an adaptation of a play Jean Cocteau wrote for his actresses to show their full range of emotions. Swinton plays a ‘woman on
Diane says: “STRANGE WAY OF LIFE opens on a typical Old West set, as the title song is sung, in Spanish, by what sounds like a female voice but turns out to be a man singing falsetto—intimations of unconventional elements
Chris says: “Amy Nicholson’s documentary tries to be the low-rent trailer park equivalent of Errol Morris’ GATES OF HEAVEN, offering a deadpan look at the last summer of one said establishment off the Virginia coast before it closes for redevelopment.
Chris says: “18-year-old Elliot (Maisy Stella) celebrates her birthday with her two best friends by taking magic mushrooms on a camping trip in the woods; while all three experience hallucinations, only Elliot’s manifests in the form of her future 39-year-old
Aaron says: “Film fest fans, we’ve all been there. You’re lining up your schedule and want variety (range is good) and safe logistics (can you make the commute work between tight screenings?). Two titles catch your eye: GASOLINE RAINBOW from hot
Brett says: “Many know director Catherine Breillat for being provocative in both subject matter and delivery, and LAST SUMMER is her latest in a library of films that generates discussion well after the end credits roll. Anne is a lawyer
Diane says: “A brutal, harrowing story of two boys who leave Senegal intent on reaching Europe, not to escape poverty or persecution, but to follow their dream of becoming pop stars. I was tricked by the movie poster into thinking it
Michael says: “I was fairly underwhelmed. Tilda Swinton was her usual self, entertaining to watch, but the film struck an odd tone between zany/funny and melancholy/dour, which didn’t really work for me. Unfortunately, I saw it at the 2023 PIFF,
Chris says: “Set in a re-creation of the now-demolished high rise towers of the notorious Chicago housing project Cabrini-Green in 1992, Minhal Baig’s film focuses on two 12-year-old boys living there: Malik (Blake Cameron James) and Eric (Gian Knight Ramirez).