Jason says: “It seems like a ridiculous thing to say, after having seen the movie, but I initially thought MaACHOTAILDROP was a documentary. Skim the description, and the bits about a company with a colorful head recruiting skateboarders looking to
Thom says: “This might well end-up as my TOP FILM for TIFF. Of course, must-see Tilda Swinton is a great help and here she totally shines as a Russian émigré married to an extremely wealthy Italian industrialist, whose company is
Jason says: “THE LAST STATION is a perfectly adequate sort of historical drama. Nice cast in Christopher Plummer, Paul Giamatti, and Helen Mirren. Nice production values. Interesting subjects. You may learn something while watching it, whether in terms of history,
Jason says: “LAST TRAIN HOME starts by presenting the audience with large numbers – the 130 million Chinese workers who return home for the New Year’s holiday annually (the world’s largest human migration), and the 2100 kilometers that separate the
Jason says: “The makers and marketers of INK are a little bit too ready to call it a cult classic, although given time, I could see it getting there. It’s got a better-than-decent urban fantasy set-up, a few extremely impressive
Bruce says: “You have to be a devotee of absurdist comedy to appreciate a film like LES HERBES FOLLES (now re-titled WILD GRASS for English audiences.) Similar in theme to HAPPENSTANCE, the Audrey Tatou vehicle prior to her success with
Thom says: “This period piece about a hermit in Tennessee in the 1930s has its plusses, especially with pretty horses, good photography and editing, finally ends up disappointing. The truculent hermit has a big secret that separates him from the
Jason says: “Disdain for the technique of redrawing voting districts in strange ways for political gain (‘gerrymandering’) doesn’t unite America’s political parties, so much as alternate between them as convenient. Because of this, GRRYMANDERING-the-movie actually has a better chance than
Jason says: “THE FREEBIE is one of those DIY-style movies (it’s too well-spoken and clean-looking to be referred to as ‘mumblecore’) where no writing credits appears; the cast is working from producer/director/star Katie Aselton’s outline. Everyone’s got their own process,
Jason says: “In general, it’s a bad sign when the main character of a movie isn’t the first name you see in the credits. That’s not a rule you can really rely on, since that sort of thing is often