Toni says: “I think that THESE AMAZING SHADOWS is too much of a propaganda love story to random films selected to the National Film Registry than an even documentary about the registry. There is much one might like to learn
Jason says: “Watching SUBMARINE, I wondered about director Richard Ayoade’s youth, speculating that he’d spent his time in the cinema, watching French movies rather than hanging out with other kids. There’s an argument to be made that one is better
Michael says: “Michael Fassbender plays Brandon, a successful businessman who lacks any meaningful relationships due to his sexual addiction. His carefully constructed life is thrown into turmoil when his sister Sissy (Mulligan) returns. Despite some high profile awards and some
Jason says: “Early on in THE REEF, a character looking at a wall full of sharks’ jaws is told not to worry, because one is far more likely to die of a bee sting than a shark attack. A part
Jason says: “RAMMBOCK is far enough outside what usually the parameters of what shows up on multiplex screens – a low-budget German horror movie so short that only an hour and fifteen minutes passes between the lights going down and
Chris says: “For film festivals from Cannes to Toronto, it’s usually a safe bet that the opening night film will not be the fest’s pick of the litter. Those selected for the Provincetown International Film Festival (now in its 13th
Diane says: “Had resisted seeing this one for so long, but… “The main thrust of the docu, about how the Web, social media, etc. are killing newspapers, is a stale story by now. What excited me were the stories of
Diane says: “Doc about middle-aged punk rockers becoming ‘F’athers. Snippets of interviews about men teaching street-crossing rules to their kids after a career of being anti-authority, being accepted by other preschool parents despite all those nasty tattoos, blaming their parents
Jason says: “There’s an interesting idea at the center of ONE BIG HAPA FAMILY – investigating the astonishingly high rate of mixed marriages among ethnically Japanese Canadians – and director Jeff Chiba Stearns is enthusiastic about pursuing it and occasionally
Jason says: “I wonder where Mark Hartley’s next stop will be. Hong Kong? Thailand? Indonesia? After spotlighting the exploitation cinema of Australia in Not Quite Hollywood and the Philippine Islands in MACHETE MAIDENS UNLEASHED!, there must be other spots on