Kyle says: “The North American Premiere of PRIDYIDER (FRIDGE) was presented under the New York Asian Film Festival rubric of ‘Manila Chronicles: The New Filipino Cinema.’ Yes, it’s about a refrigerator that kills people. And it’s so clear-headed and good-natured
Bruce says: “POWERLESS examines two sides of the ‘power struggle’ in Kampur, a metropolitan area of approximately three million people. Kampur has had no increase in its power supply for twenty-two years although the population has tripled during that time.
Bruce says: “THE PLAYROOM’s sin is one of omission. There is just not enough substance. One scene in particular is revisited time after time. A voiceover is also repetitious. No doubt Julia Dyer believed repetition would reinforce the moment. That
Chris says: “Best known for his creative 1960s opening credit sequences (WHAT’S NEW PUSSYCAT?) and truly innovative work on WHO FRAMED ROGER RABBIT?, Canadian-born, British-based animator Richard Williams would have preferred universal recognition for THE THIEF AND THE COBBLER, a
Jason says: “I was recently reminded that my grandmother reads what I write here, which may be why one of my first reactions to PAPADOPOULOS & SONS was that it would be a good movie to bring parents or grandparents
Jason says: “Are you a swimmer?’ asked the man at the ticket booth who knew full well I was there because I had a season pass for this film series. I said I wasn’t, and he pointed out that even
Jason says: “It’s almost certain that there have been movies made under more insane circumstances than NUMBER10 BLUES/GOODBYE SAIGON (both titles appear on-screen at once), or worthier ones made in a war zone, but that does nothing to take away
Jason says: “THE MOTEL LIFE isn’t quite a lot of filler packed around one great moment – it is, really, a watchable indie drama, so when the scene the audience will remember comes, they aren’t likely to weigh that bit
Kyle says: “Whether you are a potential viewer of this latest work by the director best known for MURIEL’S WEDDING depends on how open you are to a comedy about mental illness. The title refers not only to the wildly
Bruce says: “I generally try not to review the big blockbusters but as a gigantic Superman fan I thought I could add my 2-cents-worth. I’ve seen SUPERMAN, SUPERMAN II, SUPERMAN III, SUPERMAN IV: THE QUEST FOR PEACE, SUPERMAN RETURNS, &