Michael says: “You can feel the Miramax hand on Marc Foster’s FINDING NEVERLAND, which is a shame, although doesn’t disrupt the film all that much. One suspects that it would have had a lot of the same sentimental elements because
Bruce says: “Mahmut (Muzaffer Ozdemir) and Yusuf (Emin Toprak ) both hail from the same mountain village. Mahmut, who is the elder by at least a dozen years, is a self-made man. He is educated, a successful photographer in both
Bruce says: “As demonstrated by the sensational performances of Ali Sheedy, Patricia Clarkson and Radha Mitchell in HIGH ART followed by Frances McDormand’s ultra-hip, oversexed mom in LAUREL CANYON, Lisa Cholodenko has established herself as a director who pushes women
Michael says: “If you’re looking for that last film to catch before you nominate, and your local video store has a good Foreign Film section, I highly recommend BROKEN WINGS, and Israeli film by writer/director Nir Bergman. This moving and
Bruce says: “The international title for this film is A COMMON THREAD which is an English translation from the French title, BRODEUSES. With releases already planned in four countries, not to mention having played in six film festivals including Toronto
Bruce says: “BLIND FIGHT is based on a true story about an Irish teacher, Brian Keenan, and a British journalist, John McCarthy, who were captured by Lebanese terrorists. They lived together in various cells and makeshift prisons for four and
Chris says: “A Seattle fixture for decades, Richard Peterson is a mentally challenged, musically gifted savant obsessed with Johnny Mathis and orchestral cues from the ’50s TV show ‘Sea Hunt.’ Initially, I feared that the filmmakers were crudely exploiting Peterson
Rick says: “While this fascinating documentary is no longer playing at the Coolidge, it is available on DVD. I highly recommend it for anyone who likes documentaries and has an interest in youth subcultures or sociology. But not for those
Bruce says: “Similar to the childhood flashbacks in RAY, THE AVIATOR attempts to explain away Howard Hughes’ drive and craziness by presenting a telltale scene from his childhood. Scorsese has chosen a moment in 1927 where Howard’s mother is washing
Michael says: “THE AGRONOMIST is a fascinating documentary by Jonathan Demme, examining the life of Haitian radio journalist and human rights activist Jean Dominique. More of a portrait (as Ned so adeptly noted) than a documentary, Demme’s film traces Dominique’s