Bruce says: “This disturbing Israeli film S#X ACTS examines the effects of sexual bullying, a most disquieting albeit extremely important issue among teenagers. Gili (Sivan Levy) has switched schools midway through high school. Her mother is a single parent and
Kyle says: “Oscar-nominated actor, director, painter, sculptor, poet, essayist, novelist, installation artist, famous college student and occasional professor, currently Gucci men’s perfume spokesperson, and soon-to-be Broadway play director James Franco is steadily amassing an intriguing body of work as cinema
Jason says: “RITUAL: A PSYCHOMAGIC STORY is explicitly inspired by the work and philosophy of Alejandro Jodorowsky, and many may find themselves disappointed that, after a very stylish opening, it is never in the same category of strangeness as Jodorowsky’s
Jason says: “I’m certain that I must, at some point, learned that famed Impressionist painter Pierre-Auguste Renoir and noted filmmaker Jean Renoir were father and son. Somehow the information failed to stick, so re-learning that bit of information was kind
Jason says: “Many elements of PHANTOM are almost certain to remind audiences of THE HUNT FOR RED OCTOBER, and it actually draws heavily on one of the incidents that inspired Tom Clancy’s novel and the later film adaptation – or
Chris says: “The best one can say about this, the first filmed version of Jack Kerouac’s seminal 1957 novel is that it’s not embarrassing. If that sounds like faint praise, it aptly mirrors the film’s modest ambitions. Rather than transform
Bruce says: “ODAYAKA is a psychological study regarding how people react to disaster. Inspiration for the film was drawn from real life events, the 2011 earthquake and tsunami which caused over fifteen thousand deaths, many injuries and three level 7
Jason says: “I’ve said before that making sequels to romantic comedies is a tempting but dangerous idea, but MY LUCKY STAR (FEICHANG XINGYUN in Mandarin) may just have hit upon the best way to follow up such a hit: It’s
Chris says: “As a follow-up to TAKE SHELTER, a film with shifting ambiguities and an awesome performance from Michael Shannon, Jeff Nichol’s MUD can’t help but almost feel a bit of a letdown. The titular figure, an on-the-run hobo of
Bruce says: “Michael Haneke does not like to discuss his personal life – he prefers to concentrate on the man behind the camera. Those wishes are granted by director Yves Montmayeur. It is likely those wishes were conditional in making