Bruce says: “LOVE IS THE PERFECT CRIME succeeds largely for two reasons: an excellent cast headed by the able Mathieu Amalric and a moody wintery backdrop of the French Alps exquisitely photographed by Guillaume Deffontaines. Amalric (THE DIVING BELL AND
Jason says: “THE KINGDOM OF DREAMS AND MADNESS is sometimes described as ‘a year in the life of Studio Ghibli’, and one which is potentially its last year as an active production house. Many fans will likely be fascinated to
Kyle says: “JOURNEY TO THE WEST is a wild comedic fantasy based on a 16th century Chinese text that occupies a significant place in Chinese culture and has been adapted many times for many different media. In the New Directors/New
Bruce says: “No one can accuse Laurent Cantet of making the same film over and over. Although his first film was not even released in his home country, his auspicious second feature HUMAN RESOURCES (1999) resonated with filmgoers around the
Bruce says: “Years ago there was a New Yorker cartoon with two old women on a bus. One was saying to the other, ‘the way I understand it is: if everyone in the world were stoned except for us, then
Kyle says: “GENERATION WAR is a three-part German television series which is being shown as two movies in the U.S. before complete showings on cable television. Its origin as an attempt to continue the national discussion about German complicity and
Kyle says: “FISH & CAT is writer/director Shahram Mokri’s second feature film. Ostensibly a horror film involving an out-of-the-way restaurant in Iran closed for serving ‘non-animal meat’ also known as a cannibal establishment, the proprietors cross paths with a group
Jason says: “Dom Hemingway feels like he’s the sort of character Jude Law could settle into and play for a while, so perhaps it’s only fitting that the movie itself plays like a couple episodes of a TV show that
Jason says: “BITTER HONEY opens with a bit of informative text, including the fact that it was filmed over a seven-year period. It’s an odd bit of information to include, because while director Robert Lemelson does a fair job of
Jason says: “BEIJING LOVE STORY tells five overlapping stories of romance, and it could have gotten by with just three or four: Some feel like fragments just meant to tie others together, and some could use a little more fleshing