Chris says: “The Radical Monarchs are an Oakland-based alternative scouting troop for young girls of color–instead of learning about making crafts or developing camping skills (though they do a little of both), they’re taught about social justice: how to take
Julie says: “I had the pleasure of seeing THE ART OF SELF-DEFENSE (TAOSD) at the Coolidge as part of the IFF Boston 2019. It was a late showing (~9:40 pm) and the previous movie left me dosing off at one
Chris says: “Since it plays like a clunky SNL sketch at times, I wasn’t expecting to like this odd little film in the end, but I kinda did. I only appreciated what it was attempting once I realized Mabel Todd’s
Michael says: “I wasn’t expecting a whole lot from BRITTANY RUNS A MARATHON, the opening night film of the 21st annual Provincetown International Film Festival. Aimless, out-of-control woman in her late 20’s struggles to get her life on track… by
Chris says: “Lucio Castro’s first feature kicks off with ten-to-fifteen dialogue-free minutes; it may well put some viewers to sleep (like the man sitting behind me in the theater, barely two minutes in!), but as I adjusted to its unusual
Chris says: “Although never a celebrity like Roger Ebert, Pauline Kael was arguably the most influential film critic of her time and easily one of the more outspoken ones. Her unique career trajectory, from running a Berkeley moviehouse to landing
Chris says: “Jessie Buckley is so damn good she altogether shreds and transcends this film’s standard “I wanna be a star” trajectory; almost as impressive is how the film itself nearly does the same with its not-entirely-expected, somewhat corny but
Chris says: “If a deep dive into the obscure world of 1960s industrial musicals doesn’t at least pique your interest, then this is not a documentary for you. If it at all does, however, you won’t mind spending ninety minutes
Chris says: “In theory, Willem Dafoe seems a misguided choice to play Van Gogh, given the age difference, lack of resemblance, etc. Happily, he makes a stunning transformation without resorting to extravagant physical enhancements like Gary Oldman as Churchill–he embodies the
Thom says: “The presentation of this film was enticing and over her career director Ramsay has made the impressive RATCATCHER and WE NEED TO TALK ABOUT KEVIN, as well as the mediocre MORVERN CALLAR; moreover, the nearly always great performance