Thom says: “The presentation of this film was enticing and over her career director Ramsay has made the impressive RATCATCHER and WE NEED TO TALK ABOUT KEVIN, as well as the mediocre MORVERN CALLAR; moreover, the nearly always great performance
Chris says: “A stranger-than-fiction doc even *more* fun than but almost disturbing as CAPTURING THE FRIEDMANS? No wonder it’s the feel-good-then-feel-bad indie hit of the summer. The first half hour or so is immensely entertaining; the increasingly wacko plot twists
Chris says: “Starts off a little boring and leaden, with two rich girls(Olivia Cooke and Anya Taylor-Joy, both very good) in a passive-aggressive pas de deux. It achieves some focus once the what-to-do-about-the-creepy-stepfather problem is established—a narrative we’ve seen too
Chris says: “As an opera singer, Maria Callas had an undeniably great voice, but in her time she was also unmatched as to how she embodied her roles onstage (and offstage as well.) Tom Volf’s documentary is a lovingly assembled
Chris says: “A legal thriller from a director best known for his Ozu-worthy family dramas? It slots more neatly into his oeuvre than you’d expect, primarily because the mystery per se is steeped in familial relationships, only this time with
Chris says: “Expanding his palette beyond the more contained worlds of 45 YEARS and WEEKEND, English director Andrew Haigh adapts a Willy Vlautin novel for his first American feature. The protagonist, transient 16-year-old Charlie (Charlie Plummer) unexpectedly finds solace when he
Chris says: “The Zellner Brothers’ previous film, KUMIKO, THE TREASURE HUNTER, may end up on my top ten list for the decade, so this is a slight comedown. The less one knows going into it, the better, so I’ll just
Jason says: “It’s odd but fortunate that THE WAVE is getting an American theatrical release; it’s the sort of international genre film that tends to go straight to video-on-demand and maybe doesn’t even get a Region A Blu-ray. It’s understandable,
Jason says: “As a film, TOUCHED WITH FIRE sometimes struggles with being bipolar in one of the ways that its characters do, seemingly wanting to claim it as a source of creativity even if the connection is shaky, while the
Jason says:”There are several types of survivalist in stories t hat take place after the collapse of civilization, from the gregarious fellow who knows how to live off the land and aims to share that knowledge and bounty to the