Diane says: “Frederick Wiseman’s latest doc, the 4-1/2 hour CITY HALL, bears his hallmark lack of narration or titles. This time out he’s exploring Boston’s city government, and tilts heavily toward Mayor Marty Walsh’s ‘number one priority’ (as related by
Chris says: “Although its pace slackens a bit in the middle, this is mostly an artful, eloquent, personal exploration of Havana and its own unique space within the contemporary world. 3.5 cats“
Chris says: “Solid directorial debut for actor David Oyelowo, who also appears as the father of Gunner, a young aspiring graphic novelist. Along with Gunner’s mom (Rosario Dawson), they’ve just moved to a small town Oregon, where the title figure
Chris says: “Werner Herzog’s at it again and he’s brought back his co-director Clive Oppenheimer from INTO THE INFERNO along for the ride. The subject this time is meteorites, which takes the two across the globe, from Mecca to ultra-remote
Chris says: “Urban western or sentimental coming-of-age tale? A bit of both, as a troubled teen sent to gritty North Philadelphia to spend the summer with the father he never met learns to love himself and find a purpose in
Chris says: “As much about the acronym after the slash as the one before it, this slick but stimulating doc tracks both the slain civil rights leader and the J. Edgar Hoover-led government agency throughout the 1960s. As King’s influence
Chris says: “Francois Ozon’s umpteenth feature is cinematic comfort food, a queer, coming-of-age period romance set in a beautifully shabby town off the Normandy coast. The twist (partially revealed at the start) and flashback structure distinguishes this from other like-minded
Chris says: “After a flurry of brief, tantalizing, brutal images, NEW ORDER begins at a Mexico wedding attended by one-percenters; it’s best to go into the rest not knowing much more except that the first third is near-perfect in how
Michael says: “Diane suggested we watch the film CUTIES for our weekly film discussion because of all the controversy it had been getting, and I’m glad she did, because otherwise I probably never would have watched it. Apparently most of
Michael says: “Director Thom Fitzgerald was part of the cavalcade of talent present at our 10th Awards Ceremony, way back in 2004 with his debut film, HANGING GARDEN, taking the special Vanguard Award. His latest film, STAGE MOTHER, has got