Bruce says: “‘If you see this film, it may not be the same film I saw, which was not the same film shown at the 2005 Tribeca Film Festival. The filmmakers confessed to having been up all night editing before
Hilary says: “Is it soft-core porn? Is it nine mini-concert films? It’s successfully neither; mostly just boring. “1 cat for the whole mess, 3 cats for the musical perfs”
Bob says: “David is an American photographer from LA. Katia is his girlfriend, and possibly his model. She speaks mostly French, but I get the feeling from her name and her accent that she may be Russian. The two of
Bruce says: “Director Mike Hodges and Clive Owen scored critical raves for CROUPIER. I’LL SLEEP WHEN I’M DEAD fuels the argument that lightening rarely strikes twice in the same place. Owen plays Will Graham who is a ‘retired’ mobster who
Chris says: “In this modern-day take on Verdi’s 16th century opera ‘Rigoletto.’ Rick O’Lette (Bill Pullman) is a rotten jerk of a corporate middle manager. He has an even more obnoxious boss half his age (Aaron Stanford) who unknowingly pursues
Bob says: “Long story short: I didn’t like or appreciate anything about this movie. “Long story relatively long: I’m leaving out the anti-Semitism question (I don’t take that stuff personally, and besides, it’s all true. My uncle Moshe did it)
Bruce says: “ILL FATED, a very black tragicomedy, is clever enough to make an audience laugh and I admit I was laughing along with the others. But my laughter made me feel a bit dirty and somewhat of a lesser
Chris says: “A DIRTY SHAME is an intermittently amusing but generally trite film. NC-17 rating and all, I wasn’t expecting John Waters to make another PINK FLAMINGOS, but there’s absolutely nothing shocking or subversive going on here. Like every other
Bruce says: “This bleak piece of filmmaking is the story of Robert, an unemployed actor who has been making the rounds in New York for a decade or so. He has a childish optimism that keeps him going in spite
Hilary says: “BAADASSSSS! is Mario Van Peebles’ biopic of his father Melvin’s attempt to make his groundbreaking film SWEET SWEETBACK’S BAAD ASSSSS SONG (1971), the first of the ‘blaxploitation’ genre. “There are some interesting elements to the story as it