Jason says: “Filmmaker Ryan Gosling thanks a number of filmmakers toward the end of the credits to LOST RVIER, some of whom he has worked with as an actor, and of that group, it’s Nicolas Winding Refn who leaps to
Jason says: “The late Roger Ebert would use the phrase ‘dead teenager movie’ dismissively, probably with the intention of getting horror fans riled up half the time. And while it’s not great form to glibly dismiss an entire genre, sometimes
Jason says: “True to its title, KILL ME THREE TIMES makes multiple passes through the story – once with a flash-forward to the end, once in basic fashion, and once in more detail – but this jumping back and forth
Jason says: “China seems to be producing a lot of movies like A JOURNEY THROUGH TIME WITH ANTHONY (slightly less unwieldy than the film’s Mandarin title, PEI AN DONG NI DU GUO MAN CHANG SUI YUE) lately, plucked from the
Jason says: “The plot of FOREVER YOUNG could come straight out of a silly sitcom meant for young adults, although I suspect that this hypothetical Chinese ‘Saved by the Bell: The College Years’ would probably go to far less drastic
Jason says: “There was talk fairly close to its release about THE DANISH GIRL being nearly three hours long, although that turned out to be a working print and the actual finished film is a more standard two. With the
Jason says: “Kids used to ride bikes to the theater to see movies like BIG GAME; as opposed to dialing up a video-on-demand service, and, man, that’s just an indication that most of them wouldn’t be able to handle what
Jason says: “The likely-studio-supplied boilerplate that has shown up in a lot of listings about THE ARK OF MR. CHOW describes it as a satirical look at the Chinese ‘Youth Class’ system, and if it’s what passes for satire in
Chris says: “Founded by Dutch physician Rebecca Gomperts, Women on Waves is an organization that assists women with having abortions who live in countries where the procedure is illegal. VESSEL spends over a decade following Gomperts and her crew as
Jason says: “Not having seen Ajay Devgn’s first go-round as Bajirao Singham, I have no idea of this sequel – which stands alone well enough – is an improvement or disappointment relatively speaking. There are elements that suggest it could