Michael says: “The premise was intriguing, and it was on a list of essential film’s to watch, but Andrew Niccol’s directorial debut, was a big loser for me. When a genetically inferior man tricks his way into a job that
Michael says: “THE NEST tells the story of a family that is falling apart due to the pressures and excesses of the late 1980’s culture. Rory and Allison O’Hara are living the good life, enough money for a gorgeous home
Brett says: “VOX LUX is a demolition derby of themes that keep colliding after the initial premise is introduced. Just when the viewer thinks that he/she has a finger on what this movie is, another head-on impact from writer/director Brady
Jason says: “Dom Hemingway feels like he’s the sort of character Jude Law could settle into and play for a while, so perhaps it’s only fitting that the movie itself plays like a couple episodes of a TV show that
Matt says: “ATONEMENT director Joe Wright’s bold costume drama ANNA KARENINA served as my introduction to Leo Tolstoy’s beloved story of passion and infidelity among aristocrats in 19th century Russia. Despite my lack of familiarity with the novel, Wright’s audacious
Thom says: “Director Meirelles has really been on a tear with such successes as CITY OF GOD, THE CONSTANT GARDNER, & BLINDNESS so with the first rate cast here I had high expectations, but maybe I’ve seen one too many
Thom says: “Hmmm… Admittedly, I have no respect at all for fake macho director Ritchie, and while this film is fitfully entertaining, finally let’s attack it for esthetic reasons. This was adapted from a comic book of all mediums but
Jason says: “Ordinarily, when good people make a bad movie, there’s a tendency to hunt for where things went wrong. THE IMAGINARIUM OF DOCTOR PARNASSUS offers an obvious and logical culprit: The sudden death of its star, Heath Ledger, midway