Brett says: “In this feature film debut, director Durga Chew-Bose adapts a novel from the 1950s for the screen, but the setting reflects an otherworldliness rather than feeling trapped in time. One can perceive a sense of modernity that seems predominant
Thom says: “Surveying director Rose’s rather run-of-the-mill curriculum vitae (IMMORTAL BELOVED, PAPERHOUSE, CANDYMAN, etc.), I had no reason to suspect I’d enjoy this film so much & would have probably passed on it were it not featuring the indomitable Ms.
Bob says: “Imagine what we’d get if David Lynch tried his hand at Mumblecore. I think it might be similar to SLOW MACHINE, which thematically seems to be playing with questions of identity and performance. “Stephanie, a Swedish actor living in
Thom says: “It would be presumptuous of me to call myself a huge Jim Jarmusch fan but he certainly has had a large number of top-rated films with me including PATERSON, ONLY LOVERS LEFT ALIVE, BROKEN FLOWERS, COFFEE & CIGARETTES,
Chris says: “Expanding his palette beyond the more contained worlds of 45 YEARS and WEEKEND, English director Andrew Haigh adapts a Willy Vlautin novel for his first American feature. The protagonist, transient 16-year-old Charlie (Charlie Plummer) unexpectedly finds solace when he
Thom says: “I’d like to recommend LOVE & FRIENDSHIP. Sire, who doesn’t love Jane Austen & Whit Stillman but this adaptation from Lady Susan a novella from the divine Austen is downright brilliant. Kate Beckinsale is stunning as the wicked
Jason says: “The first two credits to appear on the screen in MY SON, MY SON, WHAT HAVE YE DONE are ‘David Lynch Presents’ and ‘A Film By Werner Herzog.’ If you recognize the names, you know that means there’s