Michael says: “I thought it was a good movie. Ben Whishaw gives a particularly good performance, and the film made me curious about the real woman that Rebecca Hall played. While the film is essentially Whishaw playing Hujar recounting every
Diane says: “My 4th film ‘at’ Sundance. I’m thinking that maybe it wasn’t a good idea for Alice Englert (daughter of our esteemed Jane Campion) to go all in as writer, director, co-lead, and composer of this mother-daughter-themed film. “Jennifer
Brett says: “WOMEN TALKING re-molds a world of an isolated religious community that is at least somewhat familiar to most North American audiences. It is a reshaping, reimagining of Mennonite society, even though the film is careful never to utter that
Michael says: “I sure hope you got to see this when it had its very successful run earlier this year in the theaters. Greek director Yorgos Lathimos (DOGTOOTH; ALPS) brings us his first English-language film, a hilarious, dark, and pointed
Diane says: “I am not a fan of Keats, so the poetry recitation made for some sections of longueur in BRIGHT STAR. Jane Campion’s film of the poet’s romance with Fanny Brawne is very pretty, with shots that call attention
Michael says: “There’s been a lot of buzz about Todd Hayne’s Bob Dylan biopic, especially after it’s debut in Venice. Those who know me know that I am not a fan of the biopic, but ever the experimenter, Haynes turns