Michael says: “This was a whole lot of movie to basically show how corrupt Russia is. And I didn’t know it was a remake Claude Chabrol’s THE UNFAITHFUL WIFE, and later, Adrian Lyne’s UNFAITHFUL. The background of Russian corruption elevated
Chris says: “Despite the ridiculous, ‘Big Daddy but for gays’ premise and writer/director/star Jordan Firstman more compelling a presence than artist (for now), I liked this and fully understood its crowd-pleasing reputation because man, he has so much unexpected potential.
Chris says: “From THE SECRET OF KELLS to WOLFWALKERS, I’m convinced Irish animation studio Cartoon Saloon will never let me down. Their latest, the feature debut of director Louise Bagnall adapts JULIÁN IS A MERMAID, a 2014 children’s book by
Julie says: “THE LAST YZTARI tells the story of Mary Dague, a woman who lost both arms while diffusing bombs in Iraq (to protect a school), and her struggle to heal and redefine herself. She tried for many years to
Chris says: “Serviceable if at times, insightful. Sarah McLachlan created her all-female music festival not only to prove a point but to also create a community. This overview hits all the expected beats, working best when it captures a great interviewee
Michael says: “I thought it was a good movie. Ben Whishaw gives a particularly good performance, and the film made me curious about the real woman that Rebecca Hall played. While the film is essentially Whishaw playing Hujar recounting every
Aaron says: “LINDA doubles as a thriller that doesn’t quite thrill and a portrait of an enigmatic main character that never gels into a thoughtful enough character study. Mariana Wainstein’s Argentinian film has a promising setup: alluring maid Linda (Eugenia
Diane says: “Based on Colson Whitehead’s novel of the same name, NICKEL BOYS has an impressionistic and disorienting style. Early scenes are shot from the POV of main character Elwood–as though through his young eyes–and the landscape is often sideways