Michael says: “After making a splash with their debut film, WE ARE ALL GOING TO THE WORLD’S FAIR, writer/director Jane Schoenbrun follows-up with a creative, thought-provoking, and devastating examination of the struggle between our outer and inner selves through the
Brett says: “From director Nicole Riegel, DANDELION is the latest installment of musical drama that showcases the title fictional singer-songwriter in the familiar position of struggling artist. In fact, much of the plot within is familiar territory for many audiences.
Brett says: “Men will literally kill the envious moon who is already sick and pale with grief instead of going to therapy. Alright, methinks this review doth meme too much. So, if the language of the plays of ‘The Bard’
Val says: “Though they’re both about robot companions entering the animated world of people (using that term loosely), I wouldn’t call ROBOT DREAMS, writer/director Pablo Berger’s first animated feature, a spiritual successor to THE IRON GIANT – stylistically and thematically, ROBOT
Chris says: “If you’re a Mubi subscriber and a fan of slow Asian cinema, I recommend this 2019 film from director Wang Xiaoshaui, best known for BEIJING BICYCLE (2001) and also SHANGHAI DREAMS (2005), which I saw and loved at
Diane says: “A brutal, harrowing story of two boys who leave Senegal intent on reaching Europe, not to escape poverty or persecution, but to follow their dream of becoming pop stars. I was tricked by the movie poster into thinking it
Diane says: “I went to considerable lengths today to see Frederick Wiseman’s new doc, as I figured opportunities to see it (ever!) would be scarce. The institution Wiseman studies in this film is a 3-star Michelin restaurant. “It won’t be
Julie says: “A film by Romanian director Radu Jude is a black comedy set in Bucharest, about a gofer named Angela who tours the troubled heart and soul of her country. The movie intertwines and explores the modern gig economy,