Barbara says: “I think this is worth seeing. The four stories all have a connection to robots or robotics and are each focused on a strong emotion. ‘My Robot Baby’ recalls a turbulent childhood. ‘Robot Fixer’ deals with a mother
Bruce says: “In sociology, one must be interested in society. That is what Karim (Karim Tarek), a straight man living with his girlfriend Sihem (Sihem Benamoune), thinks as he chooses North African gay men as a topic for his video
Chris says: “In this modern-day take on Verdi’s 16th century opera ‘Rigoletto.’ Rick O’Lette (Bill Pullman) is a rotten jerk of a corporate middle manager. He has an even more obnoxious boss half his age (Aaron Stanford) who unknowingly pursues
Bruce says: “When a child asks the question, ‘Where did you come from,’ it usually refers to a new arrival in the family that the stork has recently delivered. In THE RETURN when Vanya, the younger of two brothers, asks
Bruce says: “Some movies just rub you the wrong way. RED LIGHTS did that to me. Let me outline the plot. Antoine (Jean-Pierre Darroussin), a French milquetoast of a man who works in insurance, is married to Hélène (Carole Bouquet)
Michael says: “Superficially, RECONSTRUCTION is a tale of two couples, and the adultery that occurs between two of them. Alex is in a pleasant relationship with Simone, and while she loves him dearly, he never seems to want to say
Janet says: “‘This film, the story of Ray Charles with Chlotrudis fave Kerry Washington as Ray’s long-suffering wife Bea, has a lot to recommend it although it’s constrained by the usual limitations of the biopic. “There is that seemingly unavoidable
Ron says: “The revolution is my boyfriend: Gay cinema’s rude boy Bruce LaBruce was surprised when his film THE RASPBERRY REICH was accepted for Sundance. I thought it would be a hoot to see a LaBruce film that was a
Barbara says: “At first I thought this was going to be ‘Napoleon Dynamite Grows Up’ but it was much more. The underlying themes about the parental relationship with each other and with Placid as well as the over the top
Carolyn says: “I knew very little about this movie except that it was similar to BIRTH another movie out in theaters that I only heard a bit about. Louise, an admission director for Columbia’s School of Fine Arts, receives an
Bruce says: “‘Tis a pity that John Greyson is not a stage director for his sensibilities are much better suited for live drama than for the screen. I would love to see him stage a major production for the ailing
Hilary says: “I think this is what my hell looks like: nerdy guys with flat voices talking in techie-speak and performing scientific experiments. “I made the choice to leave after 20 minutes rather than stay and fall asleep. Perhaps sci-fi
Bruce says: “At the beginning of POWER TRIP I thought I would be seeing another tale of a greedy American corporation taking advantage of citizens in the economically depressed and politically chaotic state of Georgia. That was a false assumption
Bruce says: “PAST PERFECT could easily be a two character, two act play: Then and Now. That would not be an oddity since the writer/director is also a playwright. It is fun to think about the possibility of stories presented
Bob says: “Long story short: I didn’t like or appreciate anything about this movie. “Long story relatively long: I’m leaving out the anti-Semitism question (I don’t take that stuff personally, and besides, it’s all true. My uncle Moshe did it)
Ron says: “You’ll never work in this town again: OVERNIGHT is a documentary that follows the meteoric rise of Troy Duffy, who was given an unprecedented deal by Miramax in 1997 to direct his screenplay for THE BOONDOCK SAINTS. His
Barbara says: “I thought this documentary was very good. It truly makes you think about news as a business and how easy it is to manipulate what people say. A perfect example is Bill O’Reilly who has a tremendously popular
Michael says: “Chris and I were fortunate enough to squeeze into a sold-out preview for this film the other night, and were treated to a powerful, well-made film, the first feature-length film released from Afghanistan, and winner of this year’s
Beth says: “OPEN WATER is based on a true story, or on what the filmmakers assumed may have happened to this couple on vacation in the Bahamas who get left behind by their boat when they went out on a
On the Run (France/Belgium; 117 min.) directed by: Lucas Belvauxstarring: Lucas Belvaux; Catherine Frot; Dominique Blanc Johanna says: “I liked ON THE RUN. I wondered about Bruno’s rage, even after all those years in prison. Could he really just