Bruce says: “**SPOILERS** “Based on an Anne Tyler novel, A SLIPPING-DOWN LIFE is a weird combination of a traditional love story and a bizarre turn of events for two Southerners who see nothing in their boring lives but a dead
Bruce says: “Director Mike Hodges and Clive Owen scored critical raves for CROUPIER. I’LL SLEEP WHEN I’M DEAD fuels the argument that lightening rarely strikes twice in the same place. Owen plays Will Graham who is a ‘retired’ mobster who
Janet says: “You’ll notice that this review is a departure from my usual style. It comes from my better and more technical half, Linc Ross.” Lincoln says: “As a film dilettante, I would not normally feel competent to review a
Diane says: “Didn’t John Sayles’ movies used to be good? Especially after seeing MARIA FULL OF GRACE, this pic dealing with undocumented laborers is bad. It looks bad. The script is bad. Exposition is belabored (even going so far as
Bruce says: “The great power of SILENT WATERS lies in its story. “In 1947, British India was separated into the Muslim state of Pakistan (with two sections West and East) and Hindu India. The transition was not easy or without
Michael says: “Alexander Payne’s look at the male in middle-age crisis if fun, well-written, and winning rave reviews from Chlotrudis members. I liked it, but you won’t be seeing it on any of my top of the year lists. Clearly
Georgette says: “Every 12 years a massive Hindu festival takes place in Prayag, Uttar Pradesh where the Ganges (Ganga) and Yamuna rivers meet. The holiest swamis, gurus, and living saints gather to discuss religious doctrine, sing, and most importantly, bathe
Bruce says: “ELLE EST DES NOTRES is a very black comedy although it is billed as drama. Christine (Sasha Andres) is an unemployed office worker getting temp jobs wherever she can. To cover up her precarious employment situation she often
Ivy says: “My phrase for this movie is: She Hate It. “Although Kerry Washington’s performance was good, and there were lots of good appearances from some of my other favorite indie actresses I do think that the film was more
Beth says: “So last month or so, thanks to Clint’s last minute offer of a free pass to its Boston sneak preview, I went to see SHAUN OF THE DEAD almost 100% clueless about it (an exceedingly rare state for
Michael says: “This hilarious spoof on kung fu films blends the art of Shaolin kung fu and soccer! If that sounds wacky, then you’ve got a good idea what SHAOLIN SOCCER will give you. It’s also incredibly sweet, and awfully
Chris says: “I had mixed feelings about this ambitious but flawed first feature from director Rodrigo Bellott. Beginning in Bolivia and ending up at a prototypical American University, it tracks a cast of young adults undergoing various sexual awakenings, experiences
Michael says: “As a follow-up to the controversial FAT GIRL, Breillat serves up something highly original and self-reflexive. At the core of FAT GIRL’s controversy is a 12 – 20 minutes (depending on how you measure it) seduction/sex scene involving
Bruce says: “Just when I think I’m tired of caper films, one comes along that seems to refresh the genre. SEVEN TIMES LUCKY is one of those surprises, not because the double-crosses are better than rival capers but because it
Michael says: “This charming, French Canadian film is in the vein of WAKING NED DEVINE and CHOCOLAT, in its sweet, inoffensive, feel-good storyline. These films always make me feel slightly uncomfortable when considered in the independent millieu. Why is it
Hilary says: “In portraying Ramon Sampedro, a Spanish quadriplegic who fought for the right to die, Javier Bardem is presented with a great acting challenge, as it all must be done using only his face and voice. Bardem is a
Clinton says: “Back to the docs. I’d venture to call this one ‘cool and crazier,’ which, despite the cheesiness of the pun, is a pretty accurate reflection of the Screaming Men Choir. These Finnish rebels get together once a week
Chadd says: “‘SAW has had a fairly good marketing campaign because of its distribution. One of the tag-lines to this marketing was the favorable comparison to the David Fincher film SEVEN. SEVEN happens to encapsulate all that I enjoy about
Diane says: “I was horrified that this was at an indie festival–and a packed house! Starts as a sophomoric satire of born-again Christians, ends spouting a platitudinous Christian message. This was at Sundance?! The Slant reviewer wrote: ‘An early contender
Bruce says: “This film is wildly innovative and original, a stunning success creatively speaking. It is unique. Filmed in fuzzy sepia and silver tones for the most part, the film lapses into moments of strange color, the returns to the